If the child is the father of the man, what then is the young adult? In the case of theologian Rabbi Abraham Joshua Heschel, his poetry in Yiddish – penned in his early 20s –- provides the first glimpse of his greatness.
One standout among the many featured authors at this year’s Book Expo America at the Javits Center last week was the late Italian chemist and writer Primo Levi, who died in 1987 and is best known for his memoirs of surviving Auschwitz, “If This Is a Man” and “The Periodic Table.”
“Coming to a stop is not easy in this frenetic world. But it is essential for being watchful –and for making art,” explains Rochelle Rubinstein, guest curator of Yeshiva University Museum’s sixth annual group exhibition, “Stop. Watch.”
If you’re like me, you may remember an older Israel — a dusty Levantine backwater of unpaved sidewalks and peeling stucco walls — with a mixture of nostalgia and relief. Today, Israel is a sparkling, Westernized techno-power with gleaming high-rises and computer ads lighting every corner; Igael Shemtov’s photos, “The Photo Album 1979-1980,” now showing at the Andrea Meislin Gallery, summon up a slower, hazier era.
This week would have been the 85th birthday of Adrienne Rich, the Jewish feminist poet who died three years ago leaving behind a tremendous legacy of ideas and words that helped shape many people’s gender identities and inspired the work of feminist activism.
Charity is important but knowledge is power. If you can’t mark Nepal on a map, then you should consider visiting the Rubin Museum of Art to better educate yourself about the history, culture and community of the South Asian nation. (If you do know your geography, then you should not need another reason to fuel your curiosity.) Located between India and China, Nepal is an important source for sacred Buddhist and Hindu art, of which 600 objects are owned by the Rubin Museum in Manhattan.
For Klimt lovers, now is a perfect storm of Klimt-o-mania. With “The Lady in Gold” now playing in theatres, fascinated viewers are snaking round the block of the Neue Galerie, waiting patiently to see and learn more about Klimt’s “Portrait of Adele Bloch.”