Filmmaker behind "Orthodox Stance" captures Reboot's 2010 public art project
For a ritual structure intended to evoke fragility and transience, the sukkah enjoys an oddly long life as an object of contemplation and representation.
Two years ago, it was Sukkah City, an architecture competition and public art project in Union Square. It drew an estimated 200,000 viewers to the dozen winning, legally valid but visually untraditional temporary booths built to celebrate the holiday of Sukkot, which ended earlier this week.
This week I wrote my Culture View column on Maira Kalman's new exhibit at The Jewish Museum. I've got a pet obsession with her work, and figured that it would have been near impossible to leave my utterly self-conscious bias behind for the sake of a more "critical" review. So instead, I used it as an occasion to look at the same illustrations of hers I love--with all their winsomeness, humor, wit, vivacity and even occasional sadness--and simply view them in another light.
Here’s a dirty secret about Jewish journalism: a number of the stories we write aren’t really Jewish in nature. A story may be about a Jew, but other than that, there often isn’t much else of Jewish substance in many of the stories we print.
Editors hate it when you pitch a story whose sole qualification for being published is that your subject is Jewish. But the reality is that mainstream Jewish publications would not exist if we didn’t run these stories.