Adrienne Cooper’s new projects span the years,
with collaborators old and new.
Special To The Jewish Week
Fifty years ago, Yiddish was generally considered a dying language or one that was already dead if still upright. The Shoah and the Gulag had taken a dreadful toll on Yiddish speakers, readers and writers. Isaac Bashevis Singer was much feted as the last of his tribe (although the brilliant poet Abraham Sutzkever would live until 2009), and Yiddish-based musical forms were considered museum pieces.