Israeli ex-pat choreographer Hofesh Shechter’s new piece for the Cedar Lake ballet may or may not have anything to do with shtetl life.
When the Israeli choreographer Hofesh Shechter moved to London in 2002, he thought he could leave his past behind. But no luck: “In the back of the mind of the audience, they know I’m Israeli,” Shechter said in a recent interview. “I feel that this is how people look at me.”
Collaboration with Pilobolus has famed illustrator working — in his own dimension — with live dancers.
About a year ago, Pilobolus, the renowned dance troupe that arrives at New York’s Joyce Theater next week, contacted Art Spiegelman, the Pulitzer Prize-winning cartoonist of the Holocaust-themed book “Maus.” The troupe’s members wanted Spiegelman to make a dance with them, and were even willing to give him creative carte-blanche. No questions asked.
New documentary traces the varied steps of the pioneering
modern dance choreographer.
When Anna Halprin was growing up in the 1920s, she liked to watch her grandfather pray. He would rock back and forth, his long white beard swaying, while a string of unintelligible words rushed from his mouth. As his words became louder, faster, his body followed suit, moving in what seemed like some mystical dance. God must have looked something like that, Halprin remembers thinking. And so, she reasoned, “I thought God was a dancer.”