Collaboration with Pilobolus has famed illustrator working — in his own dimension — with live dancers.
About a year ago, Pilobolus, the renowned dance troupe that arrives at New York’s Joyce Theater next week, contacted Art Spiegelman, the Pulitzer Prize-winning cartoonist of the Holocaust-themed book “Maus.” The troupe’s members wanted Spiegelman to make a dance with them, and were even willing to give him creative carte-blanche. No questions asked.
Composer’s little-performed opera ‘The Tender Land’ gets a new life at Glimmerglass.
Aaron Copland grew up in the cramped quarters of Brooklyn, the child of Lithuanian Jewish immigrants, but in his music he lit out for the territory. The architecture of city life — Deco skyscrapers and imposing Beaux-Arts museums — defined his early life, but in his music he sought sanctuary in the prairie.
Intelligently structured, ‘Street Of Our Lady’ is a tribute to a Polish mother and daughter who saved 15 Jews
Special To The Jewish Week
When the Second World War broke out, the town of Sokal, then in Poland, had a population that included 6,000 Jews. By 1944, only 30 were still alive. Fifteen of them were being hidden in an attic and a hayloft over a pigsty by Francisca Halamajowa and her daughter Helena.
His parents gave Misha Pemble-Belkin a pacifist, “hippie” upbringing, forbidding him and his two brothers from playing with toy guns or watching violent films.
But both of them, including his Jewish father, were “very proud” that he enlisted in the Army, says their son, now a sergeant at Fort Polk, La., and one of 11 soldiers interviewed in “Restrepo,” a new documentary about one company’s grueling tour of duty in Afghanistan.
He has been played for laughs and played for chills, but the soon-to-be homeless Shylock who has taken up residence in Central Park in the Public Theater’s new production of “The Merchant of Venice,” directed by Daniel Sullivan, is played purely for pity. That it is Al Pacino, of all actors, who fails to give the Jewish moneylender a menacing edge, is surprising beyond measure.
BAM film documents Mizrahi civil rights movement of the ‘70s, though inequities still resonate for Jews from Arab countries.
Shortly after Israel’s victory in the War of Independence, the Jewish state took in a mass exodus of Jews from Arab lands, first in 1949, and then again in 1956.
Jews from Arab lands, called Mizrahim, came to Israel not because they were ardent Zionists, but because their host Arab countries, angered by the establishment of the State of Israel, had turned against them.
From Houston to Hattiesburg, saxophonist Amir Gwirtzman’s four-month tour in the American South was ‘highlight of my career.’
Growing up along the shores of the Mediterranean, where a football is round and the sport is played by men in shorts on a grass-covered pitch, you don’t learn much about the huddling, helmeted brand of the NFL game beloved on the bayou.
Group of scholars pressing idea of cultural Zionism, amid pushback.
From the United Nations to the capitals of Europe to the pages of the New York Review of Books, Zionism — and the Israeli policies that undergird it — have lately come under withering attack.
Israel is reeling from the international condemnation following the failed flotilla attack. And Peter Beinart’s essay in the NYRB — which attacked Jewish leaders for failing to inspire a new generation of Jews committed to Israel — urged a more liberal Zionism as a way to get young Jews back in the fold.
In American stage and film comedy, there used to be a sure-fire formula for success: take a Jewish boy and an Irish girl, make them fall in love with each other, and then watch the sparks fly as the immigrant parents get into all sorts of conflict with each other over the impending match.