Washington, D.C. — Jewish immigrants from Eastern Europe had just begun hitting the shores in 1883 when a small group of American professors founded the Modern Language Association to advocate tongues other than ancient Greek and Latin. But they probably weren’t thinking of Yiddish, Hebrew or Ladino.
Growing up was never easy for copper-skinned Rebecca Walker, the trophy baby of a new America. Born in 1969, the “Movement Child” of Pulitzer Prize-winning writer and activist Alice Walker and civil rights lawyer Mel Leventhal, Walker spent the first two decades of her life failing to fit into a country that still assumes fixed racial categories.
Best-selling author Dominique Lapierre writes about Helen Lieberman, a speech pathologist who provided critical services in apartheid South Africa.
In Calcutta four years ago on a visit to one of the festering slums he calls a “hell on earth,” best-selling journalist-turned-altruist Dominique Lapierre was speaking with another writer, who knew of the Frenchman’s interest in heroic figures.
“Do you want to meet a South African Mother Teresa?” the writer asked.
Lapierre, who knew the renowned Saint of the Slums, winner of a Nobel Peace Prize, learned that day about Helen Lieberman.
Pity poor Zeno, tormented by his weakness for cigarettes, guilt about his mistress and unresolved tensions with his father. At his psychoanalyst’s suggestion, Zeno writes his memoirs, but the result is the imperfect recollection of an intelligent man blindsided by swirling desires and frozen by inhibitions.
Zeno, the prematurely aged protagonist of Italian Jewish writer Italo Svevo’s comic masterpiece “Confessions of Zeno,” deeply resonated with William Kentridge when he first read the book in college.
Director Oren Moverman leans on his Israeli military experience in making his new film.
Special to the Jewish Week
‘The Messenger,” the critically acclaimed film now playing nationally, follows two U.S. Army casualty notification officers as they visit families to inform them that their loved ones have been killed in combat. Clearly, it is a subject ripe with political possibilities, but it is one director and co-screenwriter Oren Moverman knows well.
In every age and throughout every attempt to annihilate the Jewish people, what the Prophet Isaiah called the “saving remnant” has kept Judaism alive. Now comes Seth Rozin’s new comedy at the New Jersey Rep,
Special to the Jewish Week
In every age and throughout every attempt to annihilate the Jewish people, what the Prophet Isaiah called the “saving remnant” has kept Judaism alive. Now comes Seth Rozin’s new comedy at the New Jersey Rep, “Two Jews Walk Into a War...,” in which the two last Jews in Afghanistan, members of a community that was almost destroyed during the Soviet invasion and the subsequent rise of the Taliban, need to work through mutual animosity to preserve the Jewish heritage.
It was the early 1960s, and in the working-class Brighton Beach section of Brooklyn a group of young Jewish boys lived and breathed basketball.
Every moment they could, these adolescents (many first-generation Americans and the children of Holocaust survivors) would pull on their white Converse canvas sneakers and race from their cramped apartments under the elevated subway line to their fenced concrete kingdom, the 2nd Street Park.
Mel Gibson has won the hearts and admiration of millions of fans for his swashbuckling performances in such blockbusters as "Lethal Weapon" and the Oscar-winning "Braveheart."
But his next film project already has some people sitting on the edge of their seats: and not in a good way.