Chanukah Story As Anti-Bullying Message

11/18/2013 - 19:00
Special To The Jewish Week

Of all the holidays in the Jewish calendar, Chanukah may be the one most beloved by children. It also provides one of the best opportunities for teaching children valuable lessons. Just ask Karin Hershkovitz-Kochavi, an immigrant from Israel, who, along with Denise Kornitz, founded the Yeladudes Theater last year to produce bilingual English-Hebrew shows for youth. Their new show, “The Chanukah Miracle,” helps children to draw from Jewish tradition in order to take charge of their own lives.

A scene from "The Chanukah Miracle." Adam Cohen

Fertile Fields Of Song

11/11/2013 - 19:00
Special To The Jewish Week

She may not have the name recognition of some of her male peers, but Dorothy Fields was one of the most successful Broadway lyricists of the 20th century. Now she returns for one night only in Pippa White’s one-woman cabaret show, “I Can’t Give You Anything but Songs,” a loving tribute to a remarkably talented and prolific, yet relatively unsung, Jewish songwriter. White, who is accompanied by Vince Learned, will appear next Thursday, Nov. 21 at 9 p.m. on Theatre Row.

Music director Vince Learned with Pippa White as Dorothy Fields in “I Can’t Give You Anything but Songs.”

Folksbiene Tackles Big ‘Lies’

Largest cast ever for Yiddish theater’s musical adaptation of ‘Lies My Father Told Me.’
11/11/2013 - 19:00
Special To The Jewish Week

It was a kind of Canadian spin-off of “Fiddler on the Roof.” When Jan Kadar’s cinematic classic, “Lies My Father Told Me,” premiered in 1975, it was hailed as a stunning evocation of Jewish life in Montreal in the 1920s, as the older immigrant generation and its ways began to fade into obsolescence. The tale of a 6-year- old boy caught between his Tevye-like grandfather and his ambitious, money-hungry father, the film rode the wave of multiculturalism that had engulfed North America, and focused new attention on Jewish ethnicity.

Alex Dreier as David, left, and Chuck Karel as Zayda in “Lies My Father Told Me.” Crystal Arnette

Celebs’ Jewish Lives Celebrated In Song

From Edgar Bronfman to Gwyneth Paltrow to Aaron Sorkin, musical dramatizes interviews pulled from Abigail Pogrebin’s book.
11/04/2013 - 19:00
Special To The Jewish Week

Ever since the rise of celebrity culture a century ago, Jews have been among the most lionized figures in our society. But how do the most prominent American Jews relate to their Jewish identity?

The interviews “were more intimate and candid than I expected,” says Abigail Pogrebin.

Aging ‘Fancifully’

11/04/2013 - 19:00
Special To The Jewish Week

Despite Talmudic teachings about treating the aged with reverence, elderly people are often relegated to the margins of our society. But to playwright Richard Abrons, whose “Every Day a Visitor,” is being revived this month, the last phase of life can be filled with great creativity, energy and vigor. The play opens next Thursday evening for a month-long run at the Clurman Theatre in Midtown, with George Morfogen (from the HBO series “Oz”) leading a nine-member cast.

Richard Abrons’ “Every Day a Visitor” is set in a dilapidated old age home in the Bronx. Ronald L. Glassman

Couples Therapy For Arafat And Peres

10/29/2013 - 20:00
Special To The Jewish Week

Working in Israel’s mission to the United Nations and listening to the Israelis and Palestinians bickering, complaining and trading insults, the Jewish Australian actor Jeremie Bracka suddenly envisioned Yasir Arafat and Shimon Peres in American-style couples therapy. Thus was born “Arafat in Therapy,” in which Bracka portrays 20 different characters, each with his — or her — own perspective on the peace process. The hour-long parody will be performed this weekend at the United Solo Festival in Midtown.

Australian actor Jeremie Bracka in his one-man show, “Arafat in Therapy,” inspired by work at UN Mission.

Anthony Weiner, The Play

‘The Weiner Monologues’ offers a running commentary on the nature of media and a world where nothing is private.
10/28/2013 - 20:00
Jewish Week Correspondent

Oedipus. Macbeth. Anthony Weiner?

In “The Weiner Monologues,” which question the ever-changing meaning of the phrase “private life,” the fallen congressman emerges as something of a modern tragic hero.

The fallen congressman as tragic hero? The poster for “The Weiner Monologues.”

Jew Vs. Jew, Onstage

Are there any ‘good Jews’ in the Joshua Harmon’s ‘Bad Jews,’ which pits religious against secular MOTs?
10/28/2013 - 20:00
Special To The Jewish Week

Art provides deeper, more complex pictures of social reality than statistics ever can. The Pew Research Center survey, which has occasioned much hand-wringing, found that a majority of American Jews, despite maintaining pride in their heritage, still marry non-Jews, eschew synagogue membership and perform few traditional Jewish rituals. For those seeking a more nuanced understanding of how disaffection from Jewish religion can coexist with a continuing attachment to Judaism, look no further than Joshua Harmon’s “Bad Jews.” Directed by Daniel Aukin, it is  the absorbing, funny and heartbreaking play that is now running in an encore engagement at the Roundabout Theatre’s Laura Pels Theatre.

The manic Tracee Chimo, Philip Ettinger and Michael Zegen in “Bad Jews.” Getty Images

Dr. Ruth, The Play

10/21/2013 - 20:00
Special To The Jewish Week

One of the most extraordinary women of our time, Dr. Ruth Westheimer almost single-handedly brought a frank discussion of sexuality to a society largely governed by Puritanical, and then Victorian, ideas about erotic pleasure. Now the compelling life history of the diminutive, German-accented powerhouse comes to the stage in Mark St. Germain’s one-woman show, “Becoming Dr. Ruth: The Unexpected Journey,” starring Debra Jo Rupp. The play, which is currently in previews, opens next week at the Westside Theatre in Midtown.

Debra Jo Rupp portrays legendary sex therapist in “Becoming Dr. Ruth.” Carol Rosegg

A German-Jewish-American ‘Alien’

10/15/2013 - 20:00

Growing up in Hamburg, Germany, in the 1980s, Lucie Pohl heard the term “Heil, Hitler” long before she knew what it meant; she thought it was a cheery, casual greeting. Her first solo show, “Hi, Hitler” is a comedic account of her chaotic upbringing as the daughter of two famous German theater artists, and her own subsequent journey to America. The hour-long show is being produced this month at a series of women’s theater festivals, with the remaining performances on Oct. 23 and 25.

Lucie Pohl in her first solo show "Hi, Hitler" directed by Jessi D. Hill.
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