The spiky, avant-garde music of Chaya Czernowin comes to the Miller Theater.
Special To The Jewish Week
It takes a steely will and a ferocious intelligence to write serious avant-garde music. But it never hurts to combine those traits with personal charm and, above all, a sense of humor. In evidence, we offer Chaya Czernowin, the Israeli composer whose works are being showcased at the Miller Theater on April 15.
Czernowin, 53, has no illusions about audience response to her music.
Practicing, practicing, and more practicing. That’s how I’ve spent two hours of my Sunday afternoons this year.
By deciding to join HaZamir, the international Jewish high school choir, mid-year of my sophomore year at Friends Seminary in Manhattan, I knew I had my work cut out for me. I hadn’t been in a choir since sixth grade, but I was in an a cappella group last year. In HaZamir, I found out that memorizing more than a dozen songs in just a few months really is just as hard as it sounds.
Swados’ oratorio to include Jewish, Italian melodies.
A native of Buffalo, where the dominant early 20th-century tragedy in the city’s collective memory was the 1901 assassination of President William McKinley, Elizabeth Swados never learned about New York City’s Triangle Shirtwaist Factory fire.
In his ambitious new work, ‘Shlomo,’ young composer Judd Greenstein grapples with a biblical giant.
For a long time, the composer Judd Greenstein kept a wall between his interest in Judaism and his passion for music. Though he was raised in a secular Greenwich Village home and is still not observant, for at least the past decade he’s cultivated a deep knowledge of Jewish history, literature and law.
“It’s interesting that my music has been divorced from my interest in Jewish texts and Jewish learning,” Greenstein said in an interview last week, sitting in his Brooklyn studio.
Israeli Philharmonic to perform the young Israeli composer’s ‘Azerbaijani Dances’ here next week.
The Israel Philharmonic Orchestra will give the U.S. premiere of Israeli composer Avner Dorman’s “Azerbaijani Dance” at Carnegie Hall on Tuesday. But it will not be the first time the conductor, Zubin Mehta, one of the world’s most prominent maestros, collaborated with Dorman. In fact, Mehta essentially gave Dorman his start.
Help from South Orange synagogue
helped launch Russian pianist’s career.
Now, she’s a staple on the classical scene.
Special To The Jewish Week
It was the death threats that forced a decision.
Up to that point, Irina Nuzova says, her father Vladimir had accepted the restrictions and minor humiliations of being a Jew in Soviet and post-Soviet Russia with understandable reluctance and stoicism. He had grudgingly resigned himself to being barred from the literary institute to which he had applied, and not being permitted to travel abroad. He had shrugged off having his “nationality” listed as “Jewish.”
Playing celebrated composer’s ‘Tehillim’ is close encounter with a classic of modern music and Jewish culture.
‘Do it again! Kol han-sha ma ta-ha lail!” thundered Alan Pierson, conductor of the new music classical group Alarm Will Sound, at a rehearsal last week with the teenage ensemble Face the Music.
They were rehearsing Steve Reich’s seminal chorale piece, “Tehillim,” from 1981, which both ensembles performed together on Sunday at Merkin Concert Hall. Face the Music will continue to perform the piece throughout the city in upcoming weeks.
Some are born great, Shakespeare wrote, some achieve greatness, and some have greatness thrust upon them. The prophet Moses almost certainly falls into the last category — a reluctant, stammering leader who nevertheless played a starring role in his people’s ultimate redemption.
Reassessing the diplomat’s legacy, from ‘Nixon in China’ to the real world of politics.
In John Adams’ 1987 opera “Nixon in China,” which has its premiere with the Metropolitan Opera next week, Henry Kissinger, Richard Nixon’s national security adviser and secretary of state, has an important part. His most famous scene comes in the second act, when Madame Mao, Chairman Mao’s wife, stages a propagandist ballet for the visiting American dignitaries.