<?xml version="1.0" encoding="utf-8" ?><rss version="2.0" xml:base="http://www.thejewishweek.com/taxonomy/term/34/all" xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <channel>
    <title>Film</title>
    <link>http://www.thejewishweek.com/taxonomy/term/34/all</link>
    <description></description>
    <language>en</language>
          <item>
    <title>A Lens For Healing</title>
    <link>http://www.thejewishweek.com/arts/film/lens_healing</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;The Palestinian and Israeli filmmakers behind &#039;5 Broken Cameras&#039;, a portrait of life in a West Bank village, look beyond their anger.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;Seen together, filmmakers Emad Burnat and Guy Davidi could be one of those clich&amp;eacute;d &amp;ldquo;odd couple&amp;rdquo; pairs so beloved of unimaginative contemporary Hollywood action comedies. Davidi is Israeli, tall, thin, weedy, mercurial. Burnat is Palestinian, shorter, solid, graying and insistently sober in demeanor. The peculiarly theatrical atmosphere of a morning with them is amplified by the central object in the chic quiet of their Midtown hotel &amp;mdash; a large cylindrical aquarium filled with exotic fish.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;5 Broken Cameras Emad Burnat filmmakers Guy Davidi&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/lens_healing&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/lens_healing#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/5_broken_cameras">5 Broken Cameras</category>
 <category domain="http://www.thejewishweek.com/emad_burnat">Emad Burnat</category>
 <category domain="http://www.thejewishweek.com/filmmakers">filmmakers</category>
 <category domain="http://www.thejewishweek.com/guy_davidi">Guy Davidi</category>
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 <pubDate>Tue, 22 May 2012 19:14:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23889 at http://www.thejewishweek.com</guid>
  </item>
  <item>
    <title>Second Avenue Redux </title>
    <link>http://www.thejewishweek.com/arts/film/second_avenue_redux</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Michael Tilson Thomas remembers his grandparents, the Thomashevskys, the first family of Yiddish theater.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;The story of Boris and Bessie Thomashefsky is a classic American success narrative. Although they were born only a few miles apart in &amp;ldquo;the middle of a Ukrainian nowhere,&amp;rdquo; as their grandson Michael Tilson Thomas puts it, they met in Baltimore when he was performing with a traveling Yiddish theater troupe and she was a star-struck girl working in a tobacco factory. They went on to fame and acclaim, stars of the Yiddish theater from the late-19th Century until the Depression.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Bessie Thomashefsky Michael Tilson Thomas Yiddish Theater&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/second_avenue_redux&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/second_avenue_redux#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/bessie_thomashefsky">Bessie Thomashefsky</category>
 <category domain="http://www.thejewishweek.com/michael_tilson_thomas_0">Michael Tilson Thomas</category>
 <category domain="http://www.thejewishweek.com/yiddish_theater">Yiddish Theater</category>
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 <pubDate>Tue, 15 May 2012 23:45:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23828 at http://www.thejewishweek.com</guid>
  </item>
  <item>
    <title>Netanyahu Recalls His Heroic Brother</title>
    <link>http://www.thejewishweek.com/arts/film/netanyahu_recalls_his_heroic_brother</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Staff Report   &lt;/div&gt;
 &lt;p&gt;Israeli Prime Minister Benjamin Netanyahu, commenting on &amp;ldquo;&lt;a href=&quot;http://www.followmethemovie.com/&quot;&gt;Follow Me&lt;/a&gt;,&amp;rdquo; a documentary film opening here this week on the life of his heroic older brother, Yonatan, told The Jewish Week: &amp;ldquo;This film will show an American audience about Yoni&amp;rsquo;s humanity, his leadership, and his commitment to Israel.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Yonatan Netanyahu, a highly decorated Israeli soldier, was killed leading the Entebbe rescue in Uganda in 1976 that saved the lives of more than 100 Israeli hostages.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Benjamin Netanyahu documentary Follow Me: The Yoni Netanyahu Story Yonatan Netanyahu&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/netanyahu_recalls_his_heroic_brother&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/netanyahu_recalls_his_heroic_brother#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/benjamin_netanyahu_0">Benjamin Netanyahu</category>
 <category domain="http://www.thejewishweek.com/documentary">documentary</category>
 <category domain="http://www.thejewishweek.com/follow_me_yoni_netanyahu_story">Follow Me: The Yoni Netanyahu Story</category>
 <category domain="http://www.thejewishweek.com/yonatan_netanyahu">Yonatan Netanyahu</category>
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 <pubDate>Tue, 15 May 2012 21:08:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23811 at http://www.thejewishweek.com</guid>
  </item>
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    <title>Israeli Filmmaker Aiming ‘Big’ On Herzl Project</title>
    <link>http://www.thejewishweek.com/arts/film/israeli_filmmaker_aiming_big_herzl_project</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Prestigious N.Y. Public Library fellowship a large step forward for Shimon Dotan’s ambitious biopic.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;Imagine a biopic about Theodor Herzl, the founder of Zionism, directed by Steven Spielberg and starring Daniel Day-Lewis. Talk about a dream team. But the match-up is a wild dream that the accomplished Israeli director and former Hollywood filmmaker Shimon Dotan got one step closer to realizing last month.&amp;nbsp;&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Shimon Dotan Theodor Herzl&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/israeli_filmmaker_aiming_big_herzl_project&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/israeli_filmmaker_aiming_big_herzl_project#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/shimon_dotan">Shimon Dotan</category>
 <category domain="http://www.thejewishweek.com/theodor_herzl_0">Theodor Herzl</category>
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 <pubDate>Tue, 15 May 2012 20:10:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23794 at http://www.thejewishweek.com</guid>
  </item>
  <item>
    <title>A Father-And-Son Team Take On Freud And Mahler</title>
    <link>http://www.thejewishweek.com/arts/film/father_and_son_team_take_freud_and_mahler</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Percy and Felix Adlon tease out the famous counseling session in ‘Mahler on the Couch.’&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;When he began working with his father, Percy Adlon, on the script for their new film &amp;ldquo;Mahler on the Couch,&amp;rdquo; Felix O. Adlon felt a heavier than usual weight on his shoulders.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Felix Adlon Mahler on the Couch Percy Adlon&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/father_and_son_team_take_freud_and_mahler&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/father_and_son_team_take_freud_and_mahler#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/felix_adlon">Felix Adlon</category>
 <category domain="http://www.thejewishweek.com/mahler_couch">Mahler on the Couch</category>
 <category domain="http://www.thejewishweek.com/percy_adlon">Percy Adlon</category>
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 <pubDate>Tue, 15 May 2012 20:05:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23790 at http://www.thejewishweek.com</guid>
  </item>
  <item>
    <title>Sebald: ‘Don’t Put Me In A Box</title>
    <link>http://www.thejewishweek.com/arts/film/sebald_dont_put_me_box</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson  &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week  &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Film looks at the life and work of German novelist W. G. Sebald.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;There are times when you are out walking that a kind of hypnotic paralysis overcomes you. You are enwrapped in the rhythms of your gait, the pleasant sameness of the countryside, and you become oblivious to anything but the forward motion, the almost imperceptible bobbing of your gaze.&lt;/p&gt;
 &lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/sebald_dont_put_me_box&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/sebald_dont_put_me_box#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <enclosure url="http://www.thejewishweek.com/image/view/23751/preview" length="44952" type="image/gif" />
 <pubDate>Fri, 11 May 2012 14:35:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23752 at http://www.thejewishweek.com</guid>
  </item>
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    <title>The Art Of The Steal </title>
    <link>http://www.thejewishweek.com/arts/film/art_steal</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special To The Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;The story behind the provenance fight over Egon Schiele’s ‘Portrait of Wally.’ &lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;It&amp;rsquo;s not a very large painting, not much more than a square foot of oil on canvas. But Egon Schiele&amp;rsquo;s portrait of his beloved mistress Walburga Neuzil shook the art world in ways that the Austrian painter could never have imagined. This earthquake had almost nothing to do with the quality of the painting, &amp;ldquo;Portrait of Wally,&amp;rdquo; and everything to do with the sinister intersection of the sometimes shadowy world of art dealers and the black hole that was the Shoah.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;documentary Egon Schiel&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/art_steal&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/art_steal#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/documentary">documentary</category>
 <category domain="http://www.thejewishweek.com/egon_schiel">Egon Schiel</category>
 <enclosure url="http://www.thejewishweek.com/image/view/23648/preview" length="16991" type="image/gif" />
 <pubDate>Tue, 08 May 2012 19:35:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23649 at http://www.thejewishweek.com</guid>
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    <title>Amos Kollek’s Latest ‘Crisis’ </title>
    <link>http://www.thejewishweek.com/arts/film/amos_kolleks_latest_crisis</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Seven years in the making, the Israeli filmmaker’s new, very personal work to open here.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;Amos Kollek is back in New York. Although he has lived in the city &amp;ldquo;for long periods,&amp;rdquo; he says, he is now living in Israel full time, and is back for what he suggests is a fool&amp;rsquo;s errand: supporting the May 4 opening of his latest film, &amp;ldquo;&lt;a href=&quot;http://www.imdb.com/title/tt2091263/&quot;&gt;Chronicling a Crisis&lt;/a&gt;.&amp;rdquo;&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Amos Kollek&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/amos_kolleks_latest_crisis&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/amos_kolleks_latest_crisis#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/amos_kollek">Amos Kollek</category>
 <enclosure url="http://www.thejewishweek.com/image/view/23518/preview" length="22281" type="image/gif" />
 <pubDate>Tue, 01 May 2012 19:48:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23519 at http://www.thejewishweek.com</guid>
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    <title>The Kibbutz At 100  </title>
    <link>http://www.thejewishweek.com/arts/film/kibbutz_100</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Documentary looks at ups and downs of Israel’s noble experiment in collective living; ‘Dolphin Boy’ considers a very different kind of experiment.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;For many Jews in the diaspora, the ideal of the kibbutz has always spoken loudly about what the State of Israel was supposed to be. Some of the avatars of modern Zionism would have agreed. After all, they were among the pioneers who created the first kibbutz, just over a century ago, at Degania.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;undefined&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/kibbutz_100&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/kibbutz_100#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/category/topic_tags/undefined">undefined</category>
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 <pubDate>Tue, 24 Apr 2012 15:40:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23386 at http://www.thejewishweek.com</guid>
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    <title>Eytan Fox’s Yossi, 10 Years On</title>
    <link>http://www.thejewishweek.com/arts/film/eytan_foxs_yossi_10_years</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;The sequel to ‘Yossi and Jagger’ at Tribeca fest, marks the subtle changes in the former IDF commander.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;It has been 10 years since Jagger died, and Yossi (Ohad Knoller), his erstwhile commander and lover, hasn&amp;rsquo;t recovered yet. Now a cardiologist working in Tel Aviv, Yossi is still closeted, living in an emotional straitjacket woven of loneliness, mourning and the fear of being devastated by more tragedy. If only something would change...&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Tribeca Film Festival&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/eytan_foxs_yossi_10_years&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/eytan_foxs_yossi_10_years#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/tribeca_film_festival">Tribeca Film Festival</category>
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 <pubDate>Tue, 17 Apr 2012 19:54:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23292 at http://www.thejewishweek.com</guid>
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    <title>Not James Bond’s Goldfinger</title>
    <link>http://www.thejewishweek.com/arts/film/not_james_bonds_goldfinger</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson  &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week  &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;A German-Jewish-Israeli family’s surprising past and a Joseph Papp biography headline Tribeca festival.&lt;/p&gt;
   &lt;/div&gt;
&lt;p&gt;The birth and rapid growth of the Tribeca Film Festival, which began its 11th annual run this week, coincides with the artistic explosion of the Israeli film industry, and the two institutions have enjoyed a close and mutually supportive relationship for a decade. This year&amp;rsquo;s festival showcases several new Israeli films and filmmakers, as well as &amp;ldquo;Yossi,&amp;rdquo; Eytan Fox&amp;rsquo;s long-awaited sequel to &amp;ldquo;Yossi and Jagger.&amp;rdquo;&lt;br /&gt;
	&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/not_james_bonds_goldfinger&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/not_james_bonds_goldfinger#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
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 <pubDate>Mon, 16 Apr 2012 17:34:00 +0000</pubDate>
 <dc:creator>Lisa Shimabukuro</dc:creator>
 <guid isPermaLink="false">23270 at http://www.thejewishweek.com</guid>
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    <title>&#039;Hana&#039;s Suitcase&#039; A Well-Traveled Tale</title>
    <link>http://www.thejewishweek.com/arts/film/hanas_suitcase_well_traveled_tale</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson  &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Film Critic  &lt;/div&gt;
 &lt;p&gt;It&amp;rsquo;s an unprepossessing object, a battered, rather ordinary valise, with a name, date of birth and the German word &amp;ldquo;Waisenkind&amp;rdquo; (orphan) painted in broad strokes on its side. But the most neutral&amp;nbsp; objects acquire meaning through association with people and events, and this particular suitcase carries a lot of history along with its meager contents.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Auschwitz Czechoslovakia Fumuko Ishioka Hana and George Brady Hana&amp;#039;s Suitcase Larry Weinstein Nove Mesto&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/hanas_suitcase_well_traveled_tale&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/hanas_suitcase_well_traveled_tale#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/category/topic_tags/auschwitz">Auschwitz</category>
 <category domain="http://www.thejewishweek.com/czechoslovakia">Czechoslovakia</category>
 <category domain="http://www.thejewishweek.com/fumuko_ishioka">Fumuko Ishioka</category>
 <category domain="http://www.thejewishweek.com/hana_and_george_brady">Hana and George Brady</category>
 <category domain="http://www.thejewishweek.com/hanas_suitcase">Hana&#039;s Suitcase</category>
 <category domain="http://www.thejewishweek.com/larry_weinstein">Larry Weinstein</category>
 <category domain="http://www.thejewishweek.com/nove_mesto">Nove Mesto</category>
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 <pubDate>Thu, 12 Apr 2012 15:10:00 +0000</pubDate>
 <dc:creator>Adam Dickter</dc:creator>
 <guid isPermaLink="false">23259 at http://www.thejewishweek.com</guid>
  </item>
  <item>
    <title>In Search Of Simone Weil</title>
    <link>http://www.thejewishweek.com/arts/film/search_simone_weil</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson  &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week  &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;A new documentary tries, but fails, to gain a deeper understanding of this perplexing and prolific philosopher. &lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;The life and thought of Simone Weil present numerous paradoxes and pitfalls for a documentarian brave enough to take her on. She was a secular Jew who was taken with Catholic thought, a pacifist who bore arms in the Spanish Civil War, a member of the Resistance whose final act of defiance was to starve herself, enabling tuberculosis to triumph over her body. It&amp;rsquo;s a tangled story made more so by the passage of time, which has swept away almost everyone who knew her.&lt;/p&gt;
 &lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/search_simone_weil&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/search_simone_weil#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <enclosure url="http://www.thejewishweek.com/image/view/22858/preview" length="37040" type="image/jpeg" />
 <pubDate>Wed, 21 Mar 2012 15:26:00 +0000</pubDate>
 <dc:creator>Lisa Shimabukuro</dc:creator>
 <guid isPermaLink="false">22859 at http://www.thejewishweek.com</guid>
  </item>
  <item>
    <title>From A Rabbi’s Talking Cat To The Contested West Bank</title>
    <link>http://www.thejewishweek.com/arts/film/rabbis_talking_cat_contested_west_bank</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Jewish-themed offerings at this year’s New Directors/New Films series.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;The annual New Directors/New Films program, now in its 41st year, brings together a program of more than two dozen films from all over the globe, and the only common ground between them is work by fairly new directors who show promise. The programming results in some wild juxtapositions. This year&amp;rsquo;s event, which opened this week, is typical.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;New Directors/New Films&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/rabbis_talking_cat_contested_west_bank&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/rabbis_talking_cat_contested_west_bank#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/new_directorsnew_films">New Directors/New Films</category>
 <enclosure url="http://www.thejewishweek.com/image/view/22793/preview" length="16858" type="image/gif" />
 <pubDate>Tue, 20 Mar 2012 19:17:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">22794 at http://www.thejewishweek.com</guid>
  </item>
  <item>
    <title>Echoes Of ‘Casablanca’</title>
    <link>http://www.thejewishweek.com/arts/film/echoes_casablanca</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Film&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;‘Free Men’ harkens back to a time when Jews and Muslims fought a common Fascist enemy.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;Although the film &amp;ldquo;Free Men&amp;rdquo; was made in France last year and opens here on Friday, March 16, it feels a lot older. In some ways, that&amp;rsquo;s not a bad thing. Director Ismail Ferroukhi turned to the straightforward, linear narrative style of the place and period in which the film is set, Paris under the Nazi occupation, and to a subdued palette that gently suggests the black-and-white films of the era.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Ismail Ferroukhi&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/film/echoes_casablanca&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/film/echoes_casablanca#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/film">Film</category>
 <category domain="http://www.thejewishweek.com/ismail_ferroukhi">Ismail Ferroukhi</category>
 <enclosure url="http://www.thejewishweek.com/image/view/22714/preview" length="22925" type="image/gif" />
 <pubDate>Tue, 13 Mar 2012 22:40:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">22715 at http://www.thejewishweek.com</guid>
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