Two uniformed guards recently stopped Michal Rovner as she tried to enter the third-floor galleries at the Whitney Museum of American Art. "We're sorry, ma'am," Rovner said she was told, "the galleries are closed." To get through security, the diminutive Israeli-born artist simply looked up. Taped to the wall (in expectation of an upcoming exhibition) was a sign bearing her name.
Theodore Bikel says he identifies so closely with his stage role as Tevye the Milkman that he sometimes lapses into character. And, Bikel told an audience in New York this week, "people still approach me on the street to ask, 'How are things in Anatevka?' ": the fictional shtetl where "Fiddler on the Roof" is set.
The bustling, light-drenched lobby of the JCC in Manhattan may seem an unlikely departure point for a discussion of the darker side of glamour. But beginning this week, the herd of strollers parked in the corner will share the space with "Dangerous Beauty," the inaugural exhibition in the JCC's Laurie Tisch Sussman Gallery.
In "A Jew is Not One Thing," a film at the end of The Jewish Museum's permanent exhibition, a group of American, Israeli and European Jews (a rabbi, an educator, a psychologist, artists, scholars and even day school students) comment on themes that have shaped the Jewish people.
A week before opening in two productions at Symphony Space (as Allen Ginsberg's mother in "Kaddish L'Naomi" and in the autobiographical one-woman play "Summer of Aviyah") one of Israel's leading ladies was giving a solo performance of a different kind.
“Israel and the Bomb.” By Avner Cohen, Columbia University Press, 470 pages, $27.50.
Cohen’s book should properly be labeled “Israel and the Bomb and Israeli-American Diplomacy Concerning the Bomb.”
The bomb, of course, is the nuclear bomb, which the world suspects Israel has, but whose existence Israel has never admitted.
International companies regularly swing by Symphony Space on the Upper West Side to perform in events such as "Haiti! The Spirit of Freedom," presented this week by the Pangea Theatre Company, or the World Music Institute's varied programs, which this season include Indian, Scottish and Judeo-Andalusian music and begin tonight with Omar Bashir in a tribute to his father, the famed Iraqi lute player Munir Bashir.
Jewish education will itself become the subject of education at a Jewish university next year — for the first time at a nonsectarian institution of higher learning in North America.
A new Chair in Jewish Education will begin in September 1999 at Brandeis University, a nonsectarian school in Waltham, Mass., President Jehuda Reinharz recently announced. “This is a big step,” Reinharz said.
The holder of the academic chair will be a professor to be chosen during an international search that begins this month, Reinharz said.
An Internet search for Istvan Szabo's films on the Reel.com Web database brings up the Hungarian director's Academy Award-winning "Mephisto" and the other installments in his 1980s trilogy about characters compromised by war. Like those films, "Colonel Redl" and "Hanussen," Szabo's newest release, "Taking Sides," returns to the battleground between conscience and collaboration.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.