Meyer Lansky, his mistress and an American journalist on assignment collide in Zachary Lazar’s new novel.
Hannah Groff travels to Israel on assignment, to write about the murder of poet David Bellen. The poet had writen a book called “Kid Bethlehem,” with the biblical King David reimagined as a 20th-century gangster, and then his body was found in the village of Beit Sahour, outside of Bethlehem. As soon as Hannah arrives, she’s asked again and again, Why have you never been to Israel?
Remembering Bel Kaufman, author of influential city schools novel and diplomat-at-large for the iconic Sholem Aleichem.
Bel Kaufman published her first poem, a paean to spring, as a 7-year-old in Odessa. It was four lines long, signed Belochka Koifman, in a Russian children’s magazine. When she was 11, she began a drama, and wrote 60 pages describing the characters in a notebook that she carried with her when the family moved to New York later that year, and which she kept through her life. Everyone in her family wrote: her mother Lyalya published stories; her father, a physician, was a poet and translator; and her grandfather, who wrote many letters to her, was the great Yiddish writer Sholem Aleichem.
With an eye and an ear for Malamud, he tells a modern (and Holocaust-tinged) immigrant tale in his debut novel.
Slava Gelman had the kind of grandmother who would have walked under a tank for him.
Boris Fishman’s impressive debut novel, “A Replacement Life,” (Harper) opens on an early summer morning in 2006 when Slava picks up the phone to learn from his mother that his beloved grandmother Sofia “isn’t.” In Russian, as the narrator explains, “you didn’t need the adjective to complete the sentence, but in English you did.”
Ruth Calderon’s creative (and inclusive) journey through Talmudic literature.
Even as she works toward effecting change in Israel as a member of Knesset, Ruth Calderon remains a passionate student and teacher of Talmud. After her election as a member of the Yesh Atid party in February 2013, she gained international acclaim with her debut speech in the Knesset in which she taught a Talmudic unit — as well as the respect of her haredi colleagues who recognized their style of study in her own. Now, she co-leads a weekly Talmud class in the Knesset and has just published a new book, Ilana Kurshan’s fine translation of “A Bride for One Night” (Jewish Publication Society), originally published in Hebrew in 2001, that brings her eloquent conversation about Talmud to an English-speaking audience.
Re-evaluating the great (but underappreciated) novelist as the Library of America enshrines his deeply humanistic works.
Special To The Jewish Week
Finally: with the publication of two handsome volumes (and a third in the works) of the novels and short stories of Bernard Malamud (1914-1986), the Library of America has at long last welcomed into its pantheon of American literary greats the Brooklyn-born author of such well-known works of fiction as “The Natural” (yup, the source for the blockbuster baseball movie starring Robert Redford), “The Fixer” (which won the Pulitzer Prize and also spawned a movie, this one starring Alan Bates), “The Assistant,” and others.
A sense of place — the Upper West Side, that is — runs through ‘Visible City.’
Tova Mirvis’ new novel is full of Manhattan moments — when you learn that your neighbor is your best friend’s therapist, or that you can’t help but eavesdrop on a conversation behind you about people you know. It may be a combination of coincidence and close quarters, but lives in this city seem to overlap and intersect repeatedly.
The new memoir “A Sliver of Light” sheds light on the captivity, for more than two years, of three Americans.
Jewish Week Correspondent
Josh Fattal was imprisoned in Iran for 781 days on the charge of espionage. In his fascinating new memoir, “A Sliver of Light,” co-written with Shane Bauer and Sarah Shourd, he describes how the three friends went hiking in Kurdistan and didn’t realize they were near the Iranian border. They were told to come forward by soldiers they soon realized were Iranian. They were placed in cars, blindfolded, and imprisoned. They would soon hear screams of torture, and they were uncertain if they would live or die. Fattal, who lives in Brooklyn and is pursuing a PhD in history at New York University, spoke with Jewish Week by phone.
Getting feminine voices into the discussion on mourning.
In many a shiva house, books of consolation and Jewish ritual are as ubiquitous as archival photos and cellophane-wrapped platters of food. You’re likely to find Leon Wieseltier’s “Kaddish,” Rabbi Maurice Lamm’s “The Jewish Way in Death and Mourning” and perhaps Rabbi Richard Hirsh’s “The Journey of Mourning.” A new book by Michal Smart and Barbara Ashkenas, “Kaddish, Women’s Voices” (Urim) belongs on the table.
The characters in Molly Antopol’s debut collection of ‘diasporic’ stories face a series of disconnects
At night, Talia and her sisters liked to sneak onto the kibbutz adjacent to their land and hang out in the date palms, climbing and balancing themselves while trying to steer clear of the thorns — they understood that whatever was said there stayed there. Everything in life seemed solvable among those trees. She also loved the walk back home in the dark, when it was impossible to distinguish between sky and hills.