<?xml version="1.0" encoding="utf-8" ?><rss version="2.0" xml:base="http://www.thejewishweek.com/taxonomy/term/32/all" xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/">
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    <title>Books</title>
    <link>http://www.thejewishweek.com/taxonomy/term/32/all</link>
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    <title>The ‘Middle’ Movement Affirms, Updates Its Middle Path</title>
    <link>http://www.thejewishweek.com/arts/books/middle_movement_affirms_updates_its_middle_path</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Diane Cole   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special To The Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Ten years in the making, ‘The Observant Life’ charts a course for between ancient wisdom and say, Internet file sharing, for Conservative Jews.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;What does it mean to be an observant Jew in the 21st century?&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Conservtive Judaism Observant Life&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/middle_movement_affirms_updates_its_middle_path&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/middle_movement_affirms_updates_its_middle_path#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/conservtive_judaism">Conservtive Judaism</category>
 <category domain="http://www.thejewishweek.com/observant_life">Observant Life</category>
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 <pubDate>Tue, 08 May 2012 19:19:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23647 at http://www.thejewishweek.com</guid>
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    <title>Writing Between Worlds</title>
    <link>http://www.thejewishweek.com/arts/books/writing_between_worlds</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Sandee Brawarsky   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Jewish Week Book Critic   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Life and art collide in the work of Israeli Arab novelist Sayed Kashua.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;When I ask &lt;a href=&quot;http://en.wikipedia.org/wiki/Sayed_Kashua&quot;&gt;Sayed Kashua&lt;/a&gt; about the roots of his humor, he says that he isn&amp;rsquo;t sure, but that it probably has something to do with his discovery, as an Israeli Arab attending a Jewish high school, that humor could protect him.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Sayed Kashua&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/writing_between_worlds&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/writing_between_worlds#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/sayed_kashua">Sayed Kashua</category>
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 <pubDate>Tue, 01 May 2012 19:46:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23517 at http://www.thejewishweek.com</guid>
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    <title>From Here To Absurdity</title>
    <link>http://www.thejewishweek.com/arts/books/here_absurdity</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;The tortured (and hilarious) road to recovery of an up-and-coming comedian with a hair-raising biography.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;Many of the best comedians have had deeply troubled pasts. But Moshe Kasher, a rising 32-year-old comic and author of a new memoir, &amp;ldquo;Kasher in the Rye,&amp;rdquo; takes the old adage to a new level.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;memoir Moshe Kasher&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/here_absurdity&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/here_absurdity#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/memoir">memoir</category>
 <category domain="http://www.thejewishweek.com/moshe_kasher">Moshe Kasher</category>
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 <pubDate>Tue, 17 Apr 2012 19:58:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23294 at http://www.thejewishweek.com</guid>
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    <title>Are You There God? It’s Us, The Jews</title>
    <link>http://www.thejewishweek.com/arts/books/are_you_there_god_its_us_jews</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Can religion, especially Judaism, work if you don’t believe in the Big Guy upstairs?&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;The latest turn in the New Atheist debates can be summed up like this: even if you don&amp;rsquo;t believe in God, religion still has a lot to offer. Public intellectuals like Alain de Botton and James Gray in Britain, and scientists like E.O. Wilson and Jonathan Haidt in America, all of them atheists, have made a similar case in their recent books and essays.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Athesism Judaism Religion Religion for Atheists&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/are_you_there_god_its_us_jews&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/are_you_there_god_its_us_jews#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/athesism">Athesism</category>
 <category domain="http://www.thejewishweek.com/category/topic_tags/judaism">Judaism</category>
 <category domain="http://www.thejewishweek.com/category/topic_tags/religion">Religion</category>
 <category domain="http://www.thejewishweek.com/religion_atheists">Religion for Atheists</category>
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 <pubDate>Tue, 10 Apr 2012 19:42:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23202 at http://www.thejewishweek.com</guid>
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    <title>The (Piano) Keys To Her Survival</title>
    <link>http://www.thejewishweek.com/arts/books/piano_keys_her_survival</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Sandee Brawarsky   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Jewish Week Book Critic   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Centenarian Alice Herz-Sommer, the subject of two books, credits music with sustaining her at Terezin; other new Holocaust books also highlight women’s experiences.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;At 108, Alice Herz-Sommer is believed to be the oldest living Holocaust survivor. Born in Prague, she watched her mother being deported to Terezin in 1942, and never saw her again. A year later, she was also deported there with her husband and son. By then, Herz-Sommer was an acclaimed pianist, and continued to play in the concentration camp, giving more than a hundred concerts to fellow prisoners and to the Nazis. Her husband was killed in the camp just before liberation.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Alice Herz-Sommer Beile Delechky book review Caroline Stoessinger Frank Buonagurio franz kafka Holocaust Melissa Muller Millie Werber Reinhard Piechocki Rochelle Saidel Sigmund Freud Vaclav Havel&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/piano_keys_her_survival&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/piano_keys_her_survival#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/alice_herz_sommer">Alice Herz-Sommer</category>
 <category domain="http://www.thejewishweek.com/beile_delechky">Beile Delechky</category>
 <category domain="http://www.thejewishweek.com/book_review">book review</category>
 <category domain="http://www.thejewishweek.com/caroline_stoessinger">Caroline Stoessinger</category>
 <category domain="http://www.thejewishweek.com/frank_buonagurio">Frank Buonagurio</category>
 <category domain="http://www.thejewishweek.com/franz_kafka">franz kafka</category>
 <category domain="http://www.thejewishweek.com/category/topic_tags/holocaust">Holocaust</category>
 <category domain="http://www.thejewishweek.com/melissa_muller">Melissa Muller</category>
 <category domain="http://www.thejewishweek.com/millie_werber">Millie Werber</category>
 <category domain="http://www.thejewishweek.com/reinhard_piechocki">Reinhard Piechocki</category>
 <category domain="http://www.thejewishweek.com/rochelle_saidel">Rochelle Saidel</category>
 <category domain="http://www.thejewishweek.com/sigmund_freud">Sigmund Freud</category>
 <category domain="http://www.thejewishweek.com/vaclav_havel">Vaclav Havel</category>
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 <pubDate>Tue, 10 Apr 2012 16:44:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">23193 at http://www.thejewishweek.com</guid>
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    <title>Claude Lanzmann, Action Man</title>
    <link>http://www.thejewishweek.com/arts/books/claude_lanzmann_action_man</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        George Robinson   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special to the Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;The maker of ‘Shoah’ looks at his own life, and all he did with his time.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;To most Jewish Week readers, Claude Lanzmann is the man who directed &amp;ldquo;Shoah,&amp;rdquo; the nine-and-three-quarter-hour documentary about the murder of six million European Jews by the Nazis. Of course, if that were all he had done, Lanzmann would be worthy of admiration and study. As Franco-Jewish journalist Jean Daniel told him after one of the first screenings of the film, &amp;ldquo;This justifies a life.&amp;rdquo;&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Claude Lanzmann&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/claude_lanzmann_action_man&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/claude_lanzmann_action_man#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/claude_lanzmann">Claude Lanzmann</category>
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 <pubDate>Tue, 27 Mar 2012 18:12:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">22957 at http://www.thejewishweek.com</guid>
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    <title>What We Talk About When We Talk About Passover</title>
    <link>http://www.thejewishweek.com/arts/books/what_we_talk_about_when_we_talk_about_passover</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;In the Jonathan Safran Foer-Nathan Englander ‘New American Haggadah,’ tradition and modern literary sensibilities collide.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;The novelist &lt;a href=&quot;http://en.wikipedia.org/wiki/Jonathan_Safran_Foer&quot;&gt;Jonathan Safran Foer&lt;/a&gt; grew up with a fairly typical American Passover. His father would use the Maxwell House Haggadah, supplemented with his own pamphlet of writings, and lead the annual Foer seder. But nine years ago, sitting at his family seder in Washington, D.C., Foer thought that, literary-wise, the Haggadah could use a little work.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Passover Safran Foer&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/what_we_talk_about_when_we_talk_about_passover&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/what_we_talk_about_when_we_talk_about_passover#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/category/topic_tags/passover">Passover</category>
 <category domain="http://www.thejewishweek.com/safran_foer">Safran Foer</category>
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 <pubDate>Tue, 13 Mar 2012 19:30:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">22676 at http://www.thejewishweek.com</guid>
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    <title>Nathan Englander Comes Home To The Short Story</title>
    <link>http://www.thejewishweek.com/arts/books/nathan_englander_comes_home_short_story</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;After a novel and forays into playwriting and translations, the celebrated author returns to his specialty. &lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;When Nathan Englander sat down for a recent interview at a hummus restaurant in the East Village, he had just come from the Public Theater. He was there helping stage a theater adaptation of one of his early short stories, &amp;ldquo;The Twenty-Seventh Man,&amp;rdquo; which will premiere at the Public in November.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;nathan englander&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/nathan_englander_comes_home_short_story&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/nathan_englander_comes_home_short_story#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/nathan_englander">nathan englander</category>
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 <pubDate>Tue, 14 Feb 2012 21:20:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">22184 at http://www.thejewishweek.com</guid>
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    <title>Jewish Book Council Names Sami Rohr Prize Finalists</title>
    <link>http://www.thejewishweek.com/arts/books/jewish_book_council_names_sami_rohr_prize_finalists</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt; &lt;p&gt;NEW YORK (JTA) &amp;ndash; The Jewish Book Council announced its five finalists for the 2012 Sami Rohr Prize for Jewish Literature.&lt;/p&gt;
&lt;p&gt;The $100,000 prize, presented annually since 2007, is awarded to fiction and non-fiction writers in alternating years, with this year&amp;rsquo;s focus on non-fiction.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Jewish Book Council&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/jewish_book_council_names_sami_rohr_prize_finalists&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/jewish_book_council_names_sami_rohr_prize_finalists#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/jewish_book_council">Jewish Book Council</category>
 <pubDate>Fri, 27 Jan 2012 15:12:18 +0000</pubDate>
 <dc:creator>Dara Levin</dc:creator>
 <guid isPermaLink="false">21871 at http://www.thejewishweek.com</guid>
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    <title>The Audacity Of ‘Hope’</title>
    <link>http://www.thejewishweek.com/arts/books/audacity_hope</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;In his debut novel, Shalom Auslander takes on history and the Holocaust with his trademark darkly comic wit. &lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;When Shalom Auslander, a lapsed Orthodox Jew, came out with his wickedly funny memoir &amp;ldquo;Foreskin&amp;rsquo;s Lament&amp;rdquo; in 2007, he was often mischaracterized as a New Atheist. It was clear he shared a similar disdain for religion with atheists like Christopher Hitchens and Richard Dawkins, but he never declared himself a non-believer.&amp;nbsp;&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Shalom Auslander&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/audacity_hope&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/audacity_hope#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/shalom_auslander">Shalom Auslander</category>
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 <pubDate>Tue, 17 Jan 2012 20:35:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">21679 at http://www.thejewishweek.com</guid>
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    <title>The Holocaust And 9/11: Universal Truths?</title>
    <link>http://www.thejewishweek.com/arts/books/holocaust_and_911_universal_truths</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;The critical reception of the film version of ‘Extremely Loud and Incredibly Close’ brings to mind charges leveled against some Shoah works.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;Perhaps it should be no surprise that some of the same criticisms that met Jonathan Safran Foer&amp;rsquo;s novel about Sept. 11, &amp;ldquo;Extremely Loud and Incredibly Close,&amp;rdquo; published in 2005, are now being leveled against the new film adaptation. Like the book, the film has drawn strong, often biting rebukes from critics who feel it exploits some of Sept. 11&amp;rsquo;s most harrowing images&amp;mdash;the picture of the falling man leaping to his death, in particular&amp;mdash;and universalizes a unique tragedy.&lt;/p&gt;
 &lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/holocaust_and_911_universal_truths&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/holocaust_and_911_universal_truths#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
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 <pubDate>Tue, 10 Jan 2012 22:17:57 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">21593 at http://www.thejewishweek.com</guid>
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    <title>Masada, The Novel </title>
    <link>http://www.thejewishweek.com/arts/books/masada_novel</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Diane Cole   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Special To The Jewish Week   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Alice Hoffman channels the panoramic history of the fortress through the first-person narrative voices of four women.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;Masada: the very name of the towering mountain fortress overlooking the Judean Desert and the Dead Sea conjures images at once historic, mythic, and symbolic. King Herod built it between 37 and 31 B.C.E. as a royal refuge, and decorated it with splendiferous mosaics. But it is best known as the final refuge of 960 Jewish zealots who, in 73 C.E., committed suicide en masse, rather than succumb to a massacre by besieging Roman soldiers who were part of the army that had already quashed the Jewish rebellion and destroyed the Temple in Jerusalem.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Masada&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/masada_novel&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
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 <category domain="http://www.thejewishweek.com/masada_1">Masada</category>
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 <pubDate>Tue, 27 Dec 2011 17:48:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">21327 at http://www.thejewishweek.com</guid>
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    <title>Survival Instincts</title>
    <link>http://www.thejewishweek.com/arts/books/survival_instincts</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;In ‘A Train in Winter,’ Caroline Moorehead explores the little-known story of French women in the Resistance, and what happened when the non-Jews were sent to Auschwitz. &lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;In January 1942, French policemen began a special mission, in collaboration with Nazi officials, to arrest the local Resistance. On their list were dozens of women. They included Germaine Pican, a mother of two, who carried messages between communists in Paris and Rouen; Mai Politzer, a midwife, who dyed her hair black in disguise to type letters for the underground press; and Marie-Claude Vaillant-Coutrier, a photojournalist who wrote articles for a clandestine journal.&lt;/p&gt;
 &lt;div class=&quot;field field-terms field-terms-4&quot;&gt;Auschwitz survivors Holocaust books&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/survival_instincts&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/survival_instincts#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
 <category domain="http://www.thejewishweek.com/auschwitz_survivors">Auschwitz survivors</category>
 <category domain="http://www.thejewishweek.com/holocaust_books">Holocaust books</category>
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 <pubDate>Tue, 22 Nov 2011 21:24:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">20687 at http://www.thejewishweek.com</guid>
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    <title>Eco Wades Into ‘The Protocols’ Conspiracy</title>
    <link>http://www.thejewishweek.com/arts/books/eco_wades_protocols_conspiracy</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal   &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer   &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;Acclaimed Italian novelist defends his new book from attacks back home.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;That &amp;ldquo;The Protocols of the Elders of Zion,&amp;rdquo; the notorious anti-Semitic tract about a Jewish conspiracy to control the world, still has currency in parts of the world today was no deterrent for Umberto Eco. If there was anyone who could get away with a novel about the forged document&amp;rsquo;s creation, it was Eco. A towering member of Italy&amp;rsquo;s intellectual elite, he is a man as famed for his works on philosophy as he is for his best-selling novels.&amp;nbsp;&lt;/p&gt;
 &lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/eco_wades_protocols_conspiracy&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/eco_wades_protocols_conspiracy#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
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 <pubDate>Tue, 08 Nov 2011 22:29:00 +0000</pubDate>
 <dc:creator>Dani Shetrit</dc:creator>
 <guid isPermaLink="false">20458 at http://www.thejewishweek.com</guid>
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    <title>The Wizardry Of Amos Oz</title>
    <link>http://www.thejewishweek.com/arts/books/wizardry_amos_oz</link>
    <description>&lt;div class=&quot;field field-terms field-terms-3&quot;&gt;Books&lt;/div&gt;&lt;div class=&quot;field field-byline&quot;&gt;
        Eric Herschthal  &lt;/div&gt;
&lt;div class=&quot;field field-jobtitle&quot;&gt;
        Staff Writer  &lt;/div&gt;
&lt;div class=&quot;field field-subhead&quot;&gt;
         &lt;p&gt;In his latest meticulously crafted novel, Israel’s most famous living writer evokes a profound existential unease.&lt;/p&gt;
   &lt;/div&gt;
 &lt;p&gt;In Amos Oz&amp;rsquo;s new novel, or more accurately novel-in-short-stories, the sense of dread, of profound existential unease, is unmistakable. No character in Oz&amp;rsquo;s fictional Israeli village, Tel Ilan, where all the stories in &amp;ldquo;Scenes from Village Life&amp;rdquo; are set, is happy. No one is even remotely content with his lot.&lt;/p&gt;
 &lt;p&gt;&lt;a href=&quot;http://www.thejewishweek.com/arts/books/wizardry_amos_oz&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
     <comments>http://www.thejewishweek.com/arts/books/wizardry_amos_oz#comments</comments>
 <category domain="http://www.thejewishweek.com/category/sections/arts/books">Books</category>
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 <pubDate>Wed, 02 Nov 2011 15:09:45 +0000</pubDate>
 <dc:creator>Lisa Shimabukuro</dc:creator>
 <guid isPermaLink="false">20379 at http://www.thejewishweek.com</guid>
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