Visual Arts

The Y Pulls Together For Terezin

Interdisciplinary project probing the camp’s unique culture represents new approach for premier arts institution.

01/03/2012
Special to the Jewish Week

When the 92nd Street Y launches its ambitious five-week-long project, “Will to Create, Will to Live: The Culture of Terezin” on Jan. 9, it will mark a significant change in the way one of the city’s most esteemed arts institutions does its work. For the first time in its history, the Y’s Tisch Center for the Arts is drawing on nearly all of the resources of 92Y's many departments to present an interdisciplinary series of programs that will include concerts, lectures, readings, classes, film screenings and dance performances.

A poster advertising a performance of Hans Krasa’s children’s opera “Brundibar.”

The Jewish Echoes In ‘The Fulbright Triptych’

Forty years after Simon Dinnerstein completed his monumental painting, the complex work is getting a fresh look.

08/09/2011
Staff Writer

Germany was not Simon Dinnerstein’s first choice for a Fulbright grant. But he didn’t have much of a choice. It was 1970, and the Brooklyn-based artist, then 27, was barely making a living. He first applied to work with a noted Spanish painter, only listing Germany, to study the art of engraving in the birthplace of Dürer, as a back up.

“Being Jewish is very complicated, but it’s somehow in my DNA,” Dinnerstein says. Cynthia Dantzic

Kosher Indian

Siona Benjamin’s ‘visual midrash’ explores her identity as a Bene Israel descendant.

05/31/2011
Staff Writer

When Siona Benjamin was in art school in the 1980s, her professors told her to avoid narrative painting, and to keep her work abstract.

Siona Benjamin and her work “Miriam,” Photos courtesy of Flomenhaft Gallery
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