Annual Sephardic Music Festival branches out with art rave, fashion show.
Special To The Jewish Week
The phone is ringing. There is a new CD to promote. There are the usual last-minute changes in the Sephardic Music Festival to be arranged. A new music video has to be shot this week. A fresh pot of coffee needs to be brewed.
Was the German composer’s oratorio a nod toward his Jewish ancestry — or the full fruition of his Christian identity?
When the New York Philharmonic performs Felix Mendelssohn’s rarely heard “Elijah” (1846) oratorio this weekend, many will no doubt see it as proof that the composer always identified with his family’s Jewish faith.
Although the dinner celebrating the fiftieth anniversary of the Zamir Chorale took place last Saturday night, and the gala concert at Carnegie Hall was on the Sunday that followed, I must admit that, as a participant in both, I am having trouble snapping myself back into the here and now. I had such a wonderful time!
Adrienne Cooper performs new/old Yiddish songs at Drom.
Special To The Jewish
Jewish history is too unpredictable for folks to count out the Yiddish language just yet. After all, 200 years ago Hebrew was supposedly a dead language used only in Jewish worship. Could there be a real-life version of the mythical “Yiddishland?”
“I don’t think there’s going to be a secular Yiddish community in which people live everyday lives in Yiddish,” Adrienne Cooper reluctantly admits. “But among artists there’s no reason this material can’t be taken up as a means of creative communication.”
To be a Jewish musician is easy, says Matthew Lazar, but to be a Jew and a musician is sometimes difficult
Nevertheless he has overcome many hurdles over the years as he guided the world-renowned coeducational Zamir Chorale as its director and conductor — in an age when modern Orthodox Jewish sensibilities shifted fundamentally to the right.
Zamir Chorale was founded by Stanley Sperber in 1960. He made aliya in 1972 and passed the baton to Lazar.
Just a few evenings ago, my synagogue in Forest Hills formally installed Hazzan Henry Rosenblum as its new Cantor. Having just concluded a lengthy tenure as the Dean of the H. L. Miller School for Cantorial Music at the Jewish Theological Seminary in New York, Hazzan Rosenblum is both a friend and a mentor to countless young Hazzanim, and a precious colleague to those who have served as Cantors for many years.