If the creative team of Rocket Chair Media is any indication, the Millennial Generation's approach to the Shoah will be something quite different from what’s come before. The prologue to their new digital epic fantasy “Radzyn” now begins online, with daily installations this week and monthly thereafter.
For thousands of years Jewish-Iranian women have been forced to hide behind chadors, look down at their feet and not speak unless spoken to. During ancient Persia and even later day Iran, they lived with two strikes against them: Jewish and female. They were and still are viewed and treated by Muslims as second class citizens. Even today, in Iran, a woman, cannot become a judge, regardless of her education, degrees and professional qualifications. The reason given: “A woman can never be just.”
The large-scale photographs in Sharon Ya’ari’s first solo exhibit at the Andrea Meislin Gallery beg for explanation. Why, for instance, is there a smoky haze in the two images called “Rashi Street, Tel Aviv?”
Must Jewish literature written by a Jew? How about a book that focuses on a Jewish concern, or characters with a recognizably Jewish neurosis? Is contemporary Hebrew-language literature necessarily Jewish?
When I was younger, I strived to emulate my two older brothers. I did so in many ways, but I particularly wanted to mimic their passion for playing an instrument. Others told me that I was too young and should wait a year or two to begin. Then Rebecca Teplow took one look at my fingers, after her piano lesson with my eldest brother, and told me that now was a perfect time to begin. I was thrilled.
Rav Raz Hartman is usually found in a crowded shul in Jerusalem’s Nachlaot neighborhood, reached by a steep staircase. His shul fuses music and mysticism, attracting Jews across the denominational and sartorial spectrum. A Jerusalem hipster may be swaying next to someone dressed in a flowing white robe.
Just when you think every possible angle of the Holocaust has been explored in literature, ad infinitum, along comes “The Color of Light” (Stony Creek Press) by Helen Maryles Shankman, a tale of art school, the Holocaust, and yes—vampires.
"Philomena" may be the come-from-behind winner in Sunday night’s Academy Awards presentations. The outstanding film –based on a true story -- about an Irish Catholic woman searching for the son she was forced to give up as a teenager when she was sent to a convent has been nominated for four Oscars, including Best Film.