The dancers in Netta Yerushalmy's piece “Devouring Devouring,” that premiered last week at La MaMa’s Ellen Stewart Theater, enter the bare stage from behind an orange folded curtain. They appear alone, and then various combinations of the four dancers move energetically across the floor, sometimes entangling with one another like vines. An opening sequence that is repeated brings to mind images of a clock and time passing.
Since its exhibition, “Sailboats and Swans,” was interrupted by the fierce winds and water surge caused by Hurricane Sandy, the Andrea Meislin Gallery is getting images from the show out to viewers via email. Every Monday, the gallery emails three photographs of the show, featuring the work of Israeli photographer Michal Chelbin.
I love my Kindle. When setting off on a trip, I luxuriate in being able to choose from a juicy new novel, an engrossing biography or rereading a title I’ve enjoyed while not having to shlep extra weight. And yet, when reading Edmund de Waal’s “The Hare with Amber Eyes” (Farrar, Straus and Giroux), I did find myself squinting at the complex family tree and wondering what the printed version might offer.
Jacqueline Nicholls is an artist deeply informed by Jewish teaching and text, but her message — expressed in mediums as diverse as embroidery, corsetry, clothing, paper-cuts and print — is both subtly and explosively subversive.
Timing is everything: Given this year’s High Holy Days schedule, along with the renewed rush that arrives after Labor Day, coordinating a Sunday evening in September for our first synagogue Book Group meeting of the season proved more challenging than choosing what we would read, which we’d discussed before our summer break. Thus it happened that the only Sunday available was the one that fell between the Ten Days, after Rosh HaShanah and two evenings prior to Yom Kippur. Our reading selection: “Metamorphosis” and other stories by Franz Kafka.