For the committed or observant Jewish artist, creating art that is meaningful, that stays within the bounds of the second commandment prohibition against graven images and yet avoids kitsch or dogmatism is a daunting challenge. Meeting this challenge head-on with serious humor is “Off Label: Ceremonial Objects Imagined,” an exhibit on view at the JCC in Manhattan that respectfully turns ritual and tradition on its head.
As Yom HaShoah approaches, Jews all over the world wrestle with how best to remember, retrieve and relay. Gyongji Mago, the catalyst for Gabor Kalman’s documentary “There was Once” has much to teach us. A high school teacher fascinated by local history, she came to realize that many of her students had no idea that Jews had ever lived in Kolocsa, a small town in southern Hungary. A Catholic, she too had had limited exposure to Jews.
Keep an eye out for future productions of Noémi Schlosser’s wry theater piece "Traktorfabrik." I was lucky enough to catch a staged reading of part of it recently as part of the Emerging Artists Theatre’s New Works Series.
“Other Primary Structures” at The Jewish Museum can be seen as a nod to the institution’s past. The museum staged a major exhibit of minimalist sculpture called “Primary Structures: Younger American and British Sculptors” in 1966.
If the creative team of Rocket Chair Media is any indication, the Millennial Generation's approach to the Shoah will be something quite different from what’s come before. The prologue to their new digital epic fantasy “Radzyn” now begins online, with daily installations this week and monthly thereafter.
For thousands of years Jewish-Iranian women have been forced to hide behind chadors, look down at their feet and not speak unless spoken to. During ancient Persia and even later day Iran, they lived with two strikes against them: Jewish and female. They were and still are viewed and treated by Muslims as second class citizens. Even today, in Iran, a woman, cannot become a judge, regardless of her education, degrees and professional qualifications. The reason given: “A woman can never be just.”