Keep an eye out for future productions of Noémi Schlosser’s wry theater piece "Traktorfabrik." I was lucky enough to catch a staged reading of part of it recently as part of the Emerging Artists Theatre’s New Works Series.
“Other Primary Structures” at The Jewish Museum can be seen as a nod to the institution’s past. The museum staged a major exhibit of minimalist sculpture called “Primary Structures: Younger American and British Sculptors” in 1966.
If the creative team of Rocket Chair Media is any indication, the Millennial Generation's approach to the Shoah will be something quite different from what’s come before. The prologue to their new digital epic fantasy “Radzyn” now begins online, with daily installations this week and monthly thereafter.
For thousands of years Jewish-Iranian women have been forced to hide behind chadors, look down at their feet and not speak unless spoken to. During ancient Persia and even later day Iran, they lived with two strikes against them: Jewish and female. They were and still are viewed and treated by Muslims as second class citizens. Even today, in Iran, a woman, cannot become a judge, regardless of her education, degrees and professional qualifications. The reason given: “A woman can never be just.”
The large-scale photographs in Sharon Ya’ari’s first solo exhibit at the Andrea Meislin Gallery beg for explanation. Why, for instance, is there a smoky haze in the two images called “Rashi Street, Tel Aviv?”
Must Jewish literature written by a Jew? How about a book that focuses on a Jewish concern, or characters with a recognizably Jewish neurosis? Is contemporary Hebrew-language literature necessarily Jewish?