It’s the 100th anniversary of the legendary 1913 Armory Show, which took place in the 69th Regiment Armory on Lexington Avenue and is widely credited for bringing Modern art to New York. A slew of shows are planned during 2013 in celebration.
An exhibit at the Yeshiva University Museum, “It’s a Thin Line,” describes the history of the eruv and its evolution both nationally and across the globe, but it is the story of the Manhattan eruv, established in 1907 -- and a source of controversy since its inception -- which makes up the core of the exhibit.
Italian historian Carlo Ginzburg held a packed audience spellbound last Monday at the New York Public Library where he gave the Joy Gottesman Ungerleider lecture. Ginzburg, whom the New York Times has called “the preeminent Italian historian of his generation,” is best known for his pioneering work in microhistory, the study of finely delimited times and events. He turned that evening to his own microhistory with a talk entitled “Being Jewish, Becoming Jewish.”
What is it that identifies secular Jews as a people -- be they Israeli or of the Diaspora, progressive or neo-con, early feminists or members of the Larry David fan club -- across generations and throughout the world?
There’s something exquisite about the Offit Gallery on The Jewish Museum’s second floor: It is high-ceilinged with lots of light flooding in from the windows overlooking Central Park. In 2012, the Museum inaugurated a series of “laboratory” exhibitions in the space, once part of the Warburg family mansion. New works as well as pieces from the Museum’s collections are featured, in an effort to advance new ideas about art and culture.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.