If the creative team of Rocket Chair Media is any indication, the Millennial Generation's approach to the Shoah will be something quite different from what’s come before. The prologue to their new digital epic fantasy “Radzyn” now begins online, with daily installations this week and monthly thereafter.
This is the 70th anniversary of the Holocaust coming to Hungary.
Editor's Note: Click here for a news update on the 70th anniversary of the Hungarian Shoah.
In the Hungarian village of Csenger, by the banks of the river Smoosh, in the pages in a yizkor book, a dead man tells a tale. It is 1938. “Nine o’clock one Shabbos morning, people could be seen gathering together near the big market place,” looking up at the sky. “I was also standing there,” says the witness, “and in the middle of the crowd was a man with black glasses (probably binoculars) who kept passing them around in the crowd, and people kept looking upward … they saw two suns, one near the next.” Some say “the world is coming to an end.” The elders remember this omen in 1914, before the terrible war.
Some religious school students at Temple Emanu-El heard a firsthand account of the Holocaust recently. And they saw the New York premiere of a German-made Holocaust documentary.
During two Yom HaShoah speeches at the Upper East Side Reform synagogue, Holocaust survivor Leslie Schwartz talked about his wartime experiences (the rest of his family died in Auschwitz) and showed a documentary about his life produced by a Bavarian television channel (an English-language version was recently released at his request).
The Orthodox Chief Rabbinate decided in 1949 that the Shoah (the Hebrew, literally meaning "catastrophe," that is now used for the Holocaust) should be commemorated on the 10th of Tevet, a minor fast day already established in the Jewish calendar.
Rare screening of three of the ‘Shoah’ director’s more recent short films at Film Comment Select series.
Special To The Jewish Week
In the death camp at Treblinka there was a fake railroad station that included a clock on which the painted hands always read 6 o’clock. The entire construction was a grotesque joke perpetrated by the camp’s commandant Fritz Stangl; in Treblinka, time stood still because all those brought there were dead from the moment they entered.
When Claude Lanzmann's nine-and-a-half hour epic "Shoah" debuted in 1985, much of Europe was aghast, infuriated, ashamed -- and profoundly moved. No film to date had captured the devolution of humanity that the Holocaust required -- and, years later, the sublimated memory and even outright denial that bystanders, Nazis and even victims still maintained.
Last summer the Yale historian Timothy Snyder drew much attention with his provocative essay detailing the ways Auschwitz is a poor symbol of the Holocaust: Jews died mainly by bullets, not by the gas chambers typified in Auschwitz. And while most Jews sent to Auschwitz were from Western Europe, the majority of those murdered came from the East.
Last summer the Yale historian Timothy Snyder drew much attention with his provocative essay detailing the ways Auschwitz is a poor symbol of the Holocaust: Jews died mainly by bullets, not by the gas chambers typified in Auschwtiz. And most Jews sent to Auschwitz were from Western Europe, yet most those murdered came from the East.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.