Now in its 17th year, the New York Jewish Film Festival, which opens Jan. 9, is truly a fixture on the local film calendar, so much so that this year’s event includes one world premiere, 10 U.S. premieres and 12 New York premieres. If you subtract the seven retrospectives (see sidebar), that means that all but one of the 32 films in this year’s festival are so new that the prints are still wet from the lab.
The American film industry’s record regarding the Shoah is spotty at best. “Imaginary Witness: Hollywood and the Holocaust,” a documentary by Daniel Anker that opened this week, is a frequently vivid reminder that despite the domination of the front offices of the major studios by men of Jewish ancestry, American filmmakers remained nearly silent about the murder of Jews by the Nazis until more than a decade after the events had taken place.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.