Each time I hear “There’s a place for us” – the stirring plea for tolerance and acceptance sung by the ethnically mismatched lovers of “West Side Story” — I am reminded that it pinpoints a Jewish sensibility that influenced the show’s composer and lyricist. Leonard Bernstein and Stephen Sondheim’s musical about prejudice transformed Shakespeare’s Romeo and Juliet into an American classic.
‘Romeo and Juliet in Yiddish’ features a cast of young dropouts from New York’s chasidic community.
Special to The Jewish Week
He was a Satmar dropout, a street kid getting by on credit card and airport baggage claim scams. She was a prodigal daughter, also from a Satmar family, knocking around as a student in Europe and Israel, asking the questions and plying the lifestyle no good chasidic girl should.