Filmmaker behind "Orthodox Stance" captures Reboot's 2010 public art project
For a ritual structure intended to evoke fragility and transience, the sukkah enjoys an oddly long life as an object of contemplation and representation.
Two years ago, it was Sukkah City, an architecture competition and public art project in Union Square. It drew an estimated 200,000 viewers to the dozen winning, legally valid but visually untraditional temporary booths built to celebrate the holiday of Sukkot, which ended earlier this week.
Robin Chotzinoff reflects in the August/September 2010 issue of Hadassah Magazine about how she observed the Aseret Yemei Teshuvah (the ten days of repentance) last year by answering a series of e-mail questions from 10Q. Ben Greeman, who launched the project in 2008 explains that "we tried to let people tap back into tradition, but without feeling like they have to pass an entrance exam."