Other Israel Film Festival

‘Sweet’ Spots At Other Israel Festival

A documentary about Palestinian poet Mahmoud Darwish and a dark comedy about the candy business on tap.

10/27/2014 - 20:00
Special To The Jewish Week

Contemplating the eighth edition of the Other Israel Film Festival, which opens Nov. 6, it occurs to me that the event, which underwent a subtle shift in focus a few years ago, has become a richer, more interesting program as a result. While the festival originally sought to showcase films by or about the segments of the Israeli population that were neither Jews nor Palestinians (and hence shunted to the margins of our perception of the country), it now presents the reality of “otherness” in Israeli society.

Scenes from the offbeat dark comedy “Sweets,” about an Arab Christian candy entrepreneur. Courtesy of Other Israel Film Festival

‘Otherness’ Moves Beyond Israel

‘One Day After Peace’ subtly broadens the reach of The Other Israel Film Festival.
11/05/2012 - 19:00
Special to the Jewish Week

Emmanuel Levinas, one of the central Jewish thinkers of the 20th century, argued that by seeing the face of another we are forced to acknowledge our involvement with the Other. As Levinas writes in one of the most famous passages in his work, such a vision involves recognition of a shared humanity and a shared mortality.

“One Day After Peace” centers on the work of Truth and Reconciliation Commission in post-apartheid South Africa.

The Melancholy Israel Film Festival

From a thwarted aliyah bid to a failed Arab-Jewish friendship, the tone at the JCC’s ‘Other’ film series is discouraging.
10/31/2011 - 20:00
Special to the Jewish Week

The overriding tone of this year’s edition of the Other Israel Film Festival is one of melancholy, tinged with a degree of exhaustion. It is as if the intractable problems of the Jewish state and its Palestinian neighbors have worn down all the participants, the ossified positions that all sides have taken for so long have become so deeply ingrained that they seemingly will not admit the possibilities of positive change.

The festival’s opening-night film, “Dolphin Boy,” right. Below, the BBC production “The Promise.”
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