Gary Rosenblatt |
Editor and Publisher
Standing in the midst of a long line on Friday afternoon, as it wrapped around Lexington Avenue at 55th Street and reached all the way toward Park Avenue, one saw curious passers-by wondering what the attraction was. Especially when people in line referred to their having “the hottest ticket in town.”
Three years ago, Natalie Gerber was undergoing treatment for breast cancer, while her friends and family were running a 5K race in her honor. This year the 30-year-old mother of three will be running the race herself as a testament to her recovery and in gratitude to those who helped her.
The recent launch of a political action committee supporting a presidential run by Hillary Rodham Clinton makes one wonder if in 2016 Sarah Silverman will be urging millennials to hit up bubbe and zeyde again in a repeat effort to make sure Florida votes blue.
Ted Merwin |
Special To The Jewish Week
While its central motif is a precariously perched violinist, “Fiddler on the Roof” has about as tight a grip on the Jewish — and non-Jewish — imagination as any work of popular culture. This was abundantly in evidence on Monday night, at the jubilant celebration of the 50th anniversary of the iconic musical, orchestrated by the Folksbiene Yiddish Theatre.
The eight dancers in ZviDance’s “Surveillance” are being electronically monitored. Sometimes they take their turn at a stage camera, to track the others. Animation, pre-recorded video and live projections appear on a screen behind them.
Barry’s a Jewish kid musician from a Northeast city — that’s me,” said Philadelphia native Jarrod Spector, referring to Brooklyn-born Barry Mann, one half of the legendary songwriting duo of Mann and (Cynthia) Weil. “But I’m not as neurotic as Barry is portrayed in the show.”