What Peter Beinart doesn’t lack is attention—what he lacks is friends. That’s the conclusion you can draw from New York magazine’s lengthy profile of Beinart, the fiery liberal Jewish journalist who recently published his jeremiad warning of Israel’s imminent demise. In “The Crisis of Zionism,” Beinart’s much bally-hooed new book, he argues that if the state continues to hold
Gertrude Stein’s collaboration with the fascist Vichy government was never a secret. But, until now, many have simply ignored it; or, to use the critic Frederic Jameson’s phrase, given over to the “innocence of intellectuals.” Stein’s avid support for Petain, the Nazi collaborator who headed the Vichy government, has often been written off as merely the tragic consequence of many a brilliant artists. What mattered was her prose, not her politics.
Perhaps the greatest irony of classical music is that, while Jews have excelled in the genre as both composers and musicians, they have left very little notable music with an identifiable Jewish strain. Many have tried, to be sure—Leonard Bernstein and Steven Reich, to name two. But both those greats will be forever famous for their non-Jewish work.
Umberto Eco's latest novel, "The Prague Cemetery," has received tons of attention. But few reviewers have added anything interesting in their criticism, other than the usual banal stuff (not necessarily untrue) of it being "boring" or "over-stuffed" or intellectually ambitious, but less successfully executed. If you want something interesting, check out Neal Ascherson's take in The New York Review of Books. He actually has plenty
The New York Review of Books published the second and last installment of Saul Bellow's lectures on being a Jewish writer--and, boy, is it a complicated. At root, he's gives his take on what it means to be a secular Jew in the modern world, particularly if your Jewish identity is central to you.
Wars are never pretty. They're even uglier in the Middle East, where the lines between conflict and quiet are always in flux. The images that greet us daily from the Muslim world are the most glaring; the endless rampage of hate-fueled violence makes you sick. Forget about the millions who are cowed into silence; even more abhorrent is the constant stream of popular support violence receives. Just look at The New York Times' front page story today on the many respe
Last summer the Yale historian Timothy Snyder drew much attention with his provocative essay detailing the ways Auschwitz is a poor symbol of the Holocaust: Jews died mainly by bullets, not by the gas chambers typified in Auschwitz. And while most Jews sent to Auschwitz were from Western Europe, the majority of those murdered came from the East.
Last summer the Yale historian Timothy Snyder drew much attention with his provocative essay detailing the ways Auschwitz is a poor symbol of the Holocaust: Jews died mainly by bullets, not by the gas chambers typified in Auschwtiz. And most Jews sent to Auschwitz were from Western Europe, yet most those murdered came from the East.