In a gripping new documentary that aired Tuesday night on PBS to mark National Holocaust Remembrance Week, historian and author Daniel Jonah Goldhagen makes a convincing case that genocide — the systematic effort to eliminate an entire group perceived of as deserving of death — is even more destructive than armed conflict, and yet often can be prevented.
Documentary looks at the relationship between
the Berlin Philharmonic and the Third Reich.
Special To The Jewish Week
For most ordinary people, daily life under a repressive dictatorship would not present too many more problems than daily life in a democracy. Even for many in the arts, the difference would be minimal, even if the dictatorship was maximal. In a strange way, that seems to be the unintended message of Enrique Sanchez Lansch’s excellent new documentary, “The Reichsorchester: The Berlin Philharmonic and the Third Reich,” showing in the Museum of Modern Art’s annual “Kino!” series of new German films.
In a gripping new documentary airing on PBS on April 14, during National Holocaust Remembrance Week, historian and author Daniel Jonah Goldhagen makes a convincing case that genocide - the systematic effort to eliminate an entire group perceived of as deserving of death -- is even more destructive than armed conflict, and yet often can be prevented.
Judaism can come in the most unexpected of packages. At first glance, a nearly seven-foot-tall painting of a single thick black stripe running vertically across a black canvas signifies nothing but itself: a profound meditation on color and form. Yet Barnett Newman titled his 1949 painting "Abraham," after his father, who had died two years earlier, and the Jewish patriarch.
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