Filmmaker behind "Orthodox Stance" captures Reboot's 2010 public art project
For a ritual structure intended to evoke fragility and transience, the sukkah enjoys an oddly long life as an object of contemplation and representation.
Two years ago, it was Sukkah City, an architecture competition and public art project in Union Square. It drew an estimated 200,000 viewers to the dozen winning, legally valid but visually untraditional temporary booths built to celebrate the holiday of Sukkot, which ended earlier this week.
Pinning down the influences of 9/11 memorial architect Michael Arad isn’t easy. But some sense echoes of the Holocaust in ‘Reflecting Absence.’
Few profiles of Michael Arad, the architect of the Sept. 11 memorial that opens this week, have failed to mention that he is Israeli — the son of a former ambassador, no less. But most stop there, shying away from details, in no small part because Arad wants it that way.
“For me, it’s not about my nationality, and I made a point for it never to become about that,” Arad, 42, recently told The Jewish Week. “If people want to see something that’s not there, they can, but it’s pointless.”
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.