manohlia dargis

"Extremely Loud and Incredibly Close": Adorno's Ghost and 9/11

It’s probably impossible to count the number of film reviews that attack kitschy takes on the Holocaust like this: “an impossible movie that has no reason for being other than as another pop-culture palliative for a trauma it can’t bear to face.” 

Or like this: “This is how kitsch works. It exploits familiar images, be they puppies or babies …and tries to make us feel good, even virtuous, simply about feeling.”

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