Month-long series has the clarinetist exploring tunes from films with Jewish content.
Special To The Jewish Week
Story Includes Video:
The noted clarinetist David Krakauer has moved through enough genres to last several musical lifetimes. In the past 25 years he has played everything from klezmer (where he was one of the leaders of the klez revival) to classical, jazz, folk and funk.
A dying puppet begs for water; laughing puppets share apples and steal horses; flirting puppets fly through the air like lovers in a painting by Chagall; in the last scene, a puppet father-to-be is saved from murderous despair by the stirrings of his puppet child in the belly of his puppet wife… Oh, yes, and the klezmer clarinetist (not a puppet), crazed by the Nazis’ murder of his band and everyone in his shtetl, crawls into an earthen burrow and declares himself a badger – a badger who wants his tallis. All this in an hour and ten minutes, and that includes nine songs arranged or composed by Frank London of Klezmatics fame.
The eclectic, avant-klez clarinetist takes inspiration from a 13th-century kabbalist.
Special to the Jewish Week
Rabbi Eleazar of Worms was a 13th-century scholar whose life was torn apart when two Crusaders broke into his house and killed his wife and three children. After that terrible incident in 1196, he wrote numerous ethical texts counseling cheerfulness, patience and love for humanity, suggesting a greatness of spirit that all but passes understanding. But he also delved deep into the mystical vein of Judaism, authoring countless kabbalistic texts including new systems of gematria (the numerological interpretation of Torah) and a singular work called “The Secrets of Secrets.”