Earlier this week the Israeli-Arab actor and peace activist Juliano Mer Khamis, 52, was shot dead, presumably by Palestinian militants. The New York Times had a moving story about the funeral for Mer Khamis held on Wednesday, reporting that the Israeli government allowed his coffin to be taken briefly to the edge of a West Bank checkpoint. They made the gesture so his Palestinian supporters could pay their respects, as they were not permitted to go to his burial inside Israel.
For Julian Schnabel, the storm that followed the release of his new film, “Miral,” about a Palestinian woman who joins the first intifada, has not quite passed.
A week before the film debuted in late March, prominent Jewish groups criticized Schnabel, whose film was screened at the United Nations main hall. The American Jewish Committee, for instance, said that the film has “a clear political message, which portrays Israel in a highly negative light.”
Ponderousness, more than anti-Israel bias, is problem with the film based on Palestinian novel.
Special To The Jewish Week
Let’s get the controversy out of the way immediately: Anyone who finds Julian Schnabel’s new film “Miral” to be any more pro-Palestinian or anti-Israeli than dozens of other recent films about Israel’s policies in the West Bank hasn’t been getting out much.