Jeffrey Sposato

Mendelssohn’s ‘Elijah’: Both Sides Now

Was the German composer’s oratorio a nod toward his Jewish ancestry — or the full fruition of his Christian identity?

11/09/2010
Staff Writer

When the New York Philharmonic performs Felix Mendelssohn’s rarely heard “Elijah” (1846) oratorio this weekend, many will no doubt see it as proof that the composer always identified with his family’s Jewish faith.

Bass-baritone Gerald Finley sings the role of Elijah in the New York Philharmonic’s production of the oratorio.
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