NY Film Fest’s Jewish-themed offerings are moody works by European old masters; just don’t expect to understand everything.
Special To The Jewish Week
By a curious coincidence, the two new feature films in this year’s New York Film Festival that deal directly with Jewish themes are the work of two older masters of European cinema, neither of them Jewish: Manoel de Oliveira and Jean-Luc Godard. It would be hard to imagine two more dissimilar films than Oliveira’s “The Strange Case of Angelica” and Godard’s “Film Socialisme,” as even their titles suggest. Perhaps those differences are derived from the distance between their birth dates: 1908 in Oliveira’s case, 1930 in Godard’s.