Israeli film

An Assault On Israeli Film

09/17/2015 - 20:00
Special To the Jewish Week

I can tell you from tedious first-hand experience that the Israeli film industry had a long, hard climb to its current exalted stature as a reliable source of intelligent, creative and provocative cinema, winners of golden bears, leopards, palms and other gilded flora and fauna, not to mention numerous Oscar nominations. Recently, though, the new Israeli government has shown a willingness to trade the prestige — and hard currency — provided by these triumphs for an unprecedented and sinister level of control.

George Robinson

Rebel Purims Lead To Russian Passover

Israeli film spotlights underground refuseniks, exodus and revival.

04/23/2014 - 20:00
Associate Editor

Purim bleeds into Passover. According to the mystics, Haman was the gilgul, a reincarnation for spiritual purposes, of the Egyptian killed by Moses. Esther was the gilgul of Pharaoh’s daughter who drew baby Moses from the river, mirrored by Mordechai’s (the gilgul of Moses) adoption of the orphaned Esther. Esther’s fast, now observed on the day before Purim, actually took place on Passover. Pharaoh’s entire army drowned in the sea in one day; Haman’s entire army was destroyed in one day. God is hidden, not mentioned in the Purim megillah; Moses is hidden in the Haggadah, with only a single, cursory mention in a seder that can take hours.

A trio of dissidents from the Communist era in Anat Vovnoboy’s film “Pur.”

A More Balanced Picture

New and authentic films will counter Israel's negative image.
03/13/2013 - 20:00
Editor and Publisher

I was relieved and not at all disappointed last month when neither of the Israeli entries for Best Documentary at the Academy Awards came home with the prize. I felt badly that the two films representing Israel, “The Gatekeepers” and “5 Broken Cameras,” cinematically compelling as they were, took aim at the country’s alleged faults rather than its miraculous accomplishments, sending a skewed message around the world.

Words As Weapons

The complex ‘Footnote,’ about Torah scholars, takes Joseph Cedar to another kind of battlefield: that of academic infighting and father-son resentment.
03/05/2012 - 19:00
Special to Jewish Week

Judaism is unique among the Abrahamic faith traditions in giving pride of place to the study of sacred texts, even within the liturgy. The traditional morning service includes both the blessing for study of Torah and passages from the Talmud relating to the sacrifices offered in the Temple a couple of millennia ago.

Lior Ashkenazi as Uriel Shkolnik and Shlomo Bar Aba as Eliezer Shkolnik, the father-son Torah scholars in “Footnote.” Ren Mendel

Israeli Film Fails to Reach Oscar Semis

01/20/2011 - 19:00

LOS ANGELES (JTA) -- Israel’s three-year streak of reaching the list of five finalists in the Oscar race for best foreign language film has ended.

This year’s Israeli contender, “The Human Resources Manager,” was not on the list Wednesday when the Academy of Motion Picture Arts and Sciences released its shortlist of nine semifinalists.

Israeli movie takes top prize in Tokyo

10/31/2010 - 20:00

JERUSALEM (JTA) -- An Israeli movie took the grand prize at the Tokyo International Film Festival.

"Intimate Grammar," based on the Israeli novel "Book of Intimate Grammar" by David Grossman, was awarded the $50,000 Sakura Grand Prize Film Award on Sunday.

The film, directed by Nir Bergman, is about the son of Holocaust survivors growing up in Israel in the early 1960s.

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