Holocaust Art

Art, Beauty and the Shoah

Yishai Jusidman’s color palette is limited to materials connected to the Nazi gas chambers:  Prussian Blue, a pigment that appeared on the chamber walls as a by-product of the Zyklon B Gas; a silicon dioxide power used for pellets that delivered the gas to the sealed chambers; and flesh-tone colored paints, referring to the murdered millions. 
 

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