What is beautifully presented in “Art Spiegelman’s Co-Mix: A Retrospective” at The Jewish Museum, in addition to original drawings from the “Maus” series, is the enormous range of work that Spiegelman produced beyond those volumes. Included are comic books, magazine illustrations, children’s books illustrations, political satire, trading cards and stickers, New Yorker covers, and even a collaboration with the dance group Pilobolus and a stained glass window for The High School of Art & Design, just to name a few.
Hanan Harchol’s paintings and animations hinge on thought-provoking verbal exchanges.
Jewish Week Book Critic
Story Includes Video:
In Hanan Harchol’s art, there’s no disconnect between visual imagery and Jewish thought. His new exhibition of paintings and animation is alive with conversation — about values, teachings, choices, holiness and life’s adventures.
The conversations take place in cars, park benches and on the subway; even the small talk leads to large ideas, whether love or forgiveness or gratitude. In Israeli-accented English and with perfect timing, his father, the nuclear physicist Micha Harchol (in Hanan’s voice) advises his son not to chase another person’s dream (“Looking in Other People’s Windows” or Envy) and not to let someone live in your head rent-free, that is, not to let someone’s past actions take up valuable room (“Landlord” or Forgiveness).