Golem of Havana

The Golem Comes To Cuba

Special To The Jewish Week

It may have been cut from “Fiddler on the Roof,” but the song “When Messiah Comes,” a rueful ballad about the dashing of hopes, continues to resonate for theater director Michel Hausmann. Growing up in the Jewish community of Caracas, Venezuela, in the 1990s, Hausmann saw how the much-anticipated presidency of Hugo Chavez turned viciously against the Jewish state, as well as against the Jews of his own nation — leading the bulk of the Jewish population to depart for South Florida and Israel.

“When Messiah Comes,” at La MaMa, grows out of the playwright’s experiences with anti-Semitism in Venezuela. Carol Rosegg
Syndicate content