Francis Alÿs

Drawing The (Green) Line

MOMA’s Francis Alÿs retrospective omits the conceptual artist’s best works.

05/17/2011
Staff Writer

Four years ago, the Belgian artist Francis Alÿs displayed one of his best works in years, “The Green Line,” at Chelsea’s David Zwirner Gallery. With a characteristically axiomatic subtitle — “Sometimes Doing Something Poetic Can Become Political, and Sometimes Doing Something Political Can Become Poetic” — it gave an artist’s askance view of the Israeli-Palestinian conflict, and achieved that rare artistic feat: chastising the political status quo without becoming either cynical or simplistic.

An image from Alÿs’ “The Green Line,”  Courtesy of David Zwirner Gallery
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