While its central motif is a precariously perched violinist, “Fiddler on the Roof” has about as tight a grip on the Jewish — and non-Jewish — imagination as any work of popular culture. This was abundantly in evidence on Monday night, at the jubilant celebration of the 50th anniversary of the iconic musical, orchestrated by the Folksbiene Yiddish Theatre.
Largest cast ever for Yiddish theater’s musical adaptation of ‘Lies My Father Told Me.’
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It was a kind of Canadian spin-off of “Fiddler on the Roof.” When Jan Kadar’s cinematic classic, “Lies My Father Told Me,” premiered in 1975, it was hailed as a stunning evocation of Jewish life in Montreal in the 1920s, as the older immigrant generation and its ways began to fade into obsolescence. The tale of a 6-year- old boy caught between his Tevye-like grandfather and his ambitious, money-hungry father, the film rode the wave of multiculturalism that had engulfed North America, and focused new attention on Jewish ethnicity.
The tunes in the musical ‘The Golden Land’ are ‘living documents of Jewish life in America.’
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Of all the enticing myths about America that drove Eastern European Jews to uproot themselves and immigrate to these shores, perhaps the most seductive was that the streets were paved with gold. Nor was it just the streets — America itself was known as the “goldene medina.”
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.