Film Festivals

Of Cows And The Conflict

Two documentaries at the Human Rights Watch Film Festival move through the minefields of Israel and the West Bank.

06/01/2015 - 20:00
Special To The Jewish Week

A Palestinian classroom and an Israeli one at the center of “This Is My Land." Courtesy of Human Rights Watch Film Festival

Matters Of Identity, Mideast Style

The opening and closing night offerings in the Israel Film Center Festival deal with a similar theme in very different ways.

05/25/2015 - 20:00
Special To The Jewish Week

In the turbulence of the contemporary Middle East, a little thing like personal identity is fragile, evanescent and in jeopardy. That would seem to be the message of the opening and closing night films on display at this year’s weeklong Israel Film Center Festival, which begins June 4.

Director Eran Riklis, whose new film is “A Borrowed Identity.”    Courtesy of Israel Film Center

‘Waltzing’ Into The Future With Bashir's New Film

‘Waltzing With Bashir’ director’s new science-fiction film, five years in the making, is a confusing vision; films about Amy Winehouse, ‘the Jewish Cardinal’ and a Molly Picon retrospective.

01/06/2014 - 19:00
Special To The Jewish Week

This is the second of three articles on this year’s N.Y. Jewish Film Festival.

Ari Folman’s 2008 animated film “Waltz With Bashir” was a breakthrough effort on many levels, one of a series of Israeli films to be nominated for the best foreign-language Academy Award, and a tough-minded work that helped forge a new subgenre of animated documentaries; it was a film that confirmed what some of us knew for a long time — that a “cartoon” could be serious and demanding. Anyone with an interest in film was eagerly awaiting Folman’s next project.

BBC documentary about the late Amy Winehouse focuses on one of her concerts.

The Melancholy Israel Film Festival

From a thwarted aliyah bid to a failed Arab-Jewish friendship, the tone at the JCC’s ‘Other’ film series is discouraging.
10/31/2011 - 20:00
Special to the Jewish Week

The overriding tone of this year’s edition of the Other Israel Film Festival is one of melancholy, tinged with a degree of exhaustion. It is as if the intractable problems of the Jewish state and its Palestinian neighbors have worn down all the participants, the ossified positions that all sides have taken for so long have become so deeply ingrained that they seemingly will not admit the possibilities of positive change.

The festival’s opening-night film, “Dolphin Boy,” right. Below, the BBC production “The Promise.”
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