Film Forum

From Streits To Hannah Arendt:

A ‘Forum’ for the Jewish story.

Special To The Jewish Week
02/17/2016 (All day)

A Bell and Howell 16mm-movie projector, 50 folding chairs, the lease on a loft on the Upper West Side and a suitcase filled with letters to filmmakers.

Scene from “Streit’s: Matzo and the American Dream,” to screen at Film Forum. Courtesy of Menemsha Films

For The Love Of Paris

The fate of the City of Light, and its landmarks, is at stake in ‘Diplomacy.’

10/07/2014 - 20:00
Special To The Jewish Week

It is the evening of Aug. 24, 1944, and Allied troops are headed for Occupied Paris. The Wehrmacht, commanded by Gen. Dietrich von Choltitz, are IS preparing to dynamite all the bridges in the city except the Pont Neuf, and all the landmarks. All that remains is for the order to be given.

Niels Arestrup as Gen. Dietrich von Choltitz and Andre Dussollier as Consul Raoul Nordling in "Diplomacy." Jerome Prebois

Making Art Against The Odds

Surviving as artists and Jews in the Soviet Union, in ‘Ilya and Emilia Kabakov: Enter Here.’
11/11/2013 - 19:00
Special To The Jewish Week

Midway through Amei Wallach’s sparkling new documentary “Ilya and Emilia Kabakov: Enter Here,” an art historian is explaining the workings of one of Ilya’s museum installations. The center of the room is filled with large tables, forcing museumgoers to walk close to the walls on which various paintings are hung. “The center is already occupied, and you are forced into the margins,” the interviewee says.

Emilia and Ilya Kabakov in scene from a new documentary about the artists’ lives and works. Jacques De Melo/Gert Liter

The Rewards And Limits Of Home Movies

Eliav Lilti’s found-footage documentary about Israel is poignant but also arbitrary.
07/01/2013 - 20:00
Special To The Jewish Week

There is an ineradicable quality of melancholy in old home movies. If they’re your own, you can’t help but yearn for a younger, more energetic and healthier version of yourself, and for the ghostly images of family and friends long dead to take corporeal form once more. But even the home movies of total strangers call out to us with reminders of the evanescence of human existence. When you look at film footage of some stranger’s young son leaving a factory in Birmingham, England, in 1912, it is impossible not to wonder if he would be dead in the trenches only two or three years later.

A couple of newlyweds and an Independence Day celebration: Scenes from “Israel: A Home Movie.” Photos courtesy of Alma Films
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