This week brought news of two shocking deaths: the first of Albert Abramson, 94, an important figure in building the United States Holocaust Memorial Museum in Washington, D.C. And then there was Peter Novick, 77, an historian who wrote a withering attack of the Holocaust’s undue influence on American Jewish identity. The two would probably have had little to agree
Perhaps the greatest irony of classical music is that, while Jews have excelled in the genre as both composers and musicians, they have left very little notable music with an identifiable Jewish strain. Many have tried, to be sure—Leonard Bernstein and Steven Reich, to name two. But both those greats will be forever famous for their non-Jewish work.
Ethan Bronner, the Jerusalem bureau chief for The New York Times, is stepping down from his position.
Bronner, who has been in Jerusalem for the past four years, has been named legal affairs reporter for the newspaper's national desk. Jodi Rudoren, the Times' education editor, will succeed Bronner in the Jerusalem post in April.
The newspaper's public editor had recommended two years ago that Bronner be reassigned because his son was serving in the Israel Defense Forces, which was seen as a conflict of interest by a pro-Palestinian website.
Like many liberals, David Brooks is a conservative I can like. But every now and then he falls in with the wrong conservative crowd. And this week it was in his swooning endorsement of Charles Murray and his new book, “Coming Apart: The State of White America, 1960-2010.”
With a name like “The Prime Minister’s Cabinet,” you’d think this television show was yet another British drama, a “Downton Abbey” sequel starring, say, Winston Churchill. But it’s not—no, it has nothing to do with Brits, but with, of all things, Israelis. Yes, in a culture story today, The New York Times devotes a full piece to an obscure Israeli political drama, made for T.V., that even critics in Isra
A couple of months ago, I wrote a story about the excellent and horrifying exhibit “Deadly Medicine: Creating the Master Race,” now on view at the Museum of Jewish Heritage—A Living Memorial to the Holocaust. It describes how Nazi Germany took the pseudo-science of eugenics—or “racial hygiene”; attempting to create a purer race through breeding, sterili
Bibi Netanyahu proved last week beyond a doubt that he was an American Jew. How so? He boycotted the New York Times!
Some American Jews angry with the Times’ coverage of Israel have employed the boycott strategy for years. When they haven’t liked the slant of news and editorial coverage, they’ve cancelled their subscriptions to the Times. Rabbis have taken to the pulpit to urge their congregations to stop buying the paper (even as they preached sermons from its pages) and others have organized anti-Times campaigns on Facebook and petitions on the Internet.
It’s probably impossible to count the number of film reviews that attack kitschy takes on the Holocaust like this: “an impossible movie that has no reason for being other than as another pop-culture palliative for a trauma it can’t bear to face.”
Or like this: “This is how kitsch works. It exploits familiar images, be they puppies or babies …and tries to make us feel good, even virtuous, simply about feeling.”