Over the weekend, you may have caught the engrossing New York Times profile of a New York society don—one Alan Z. Feuer—who had a mysterious past. I didn’t bother reading it when I first picked up my Sunday print copy—it was buried in the paper, in the scrappy Metropolitan section. But then I got one email after another, from family members, friends, recommending it, all with that guilt-inducing epigram: “must read.”
I’ve been concerned of late by the New York Times’ coverage of the tensions among Israel, Iran and the U.S. So many of the reports leave the impression – an unfair one, I think -- that Israel is chafing at the bit to strike Iran’s nuclear sites, and what a bad idea that is.
For the first half of her life, the woman born Adrienne Cecile Rich, in Baltimore, 1929, lived the life you would have expected. She was baptized and raised in the Episcopalian church; her father was a medical professor at Johns Hopkins; her mother a pianist and composer. Adrienne went to Radcliffe and wrote poetry. By 1950, the kingmaker of mid-century poets, W.H. Auden, helped her publish her first collection, “A Change of World,” which featured accomplished if rather dull formal English verse—punctual meters, rhymes, etc.
When Arthur Miller’s “Death of A Salesman” first opened on Broadway, in 1949, Brooks Atkinson, The New York Times’ chief theater critic, could not have been more enthusiastic—“masterly,” he called, “heroic” and “superb.” It is safe to say that the same adjectives can be used to describe the current Broadway revival that opened this week. Philip Seymour Hoffman, in the lead role of Willy Loman, brings renewed complexity to a classic American character who
This week brought news of two shocking deaths: the first of Albert Abramson, 94, an important figure in building the United States Holocaust Memorial Museum in Washington, D.C. And then there was Peter Novick, 77, an historian who wrote a withering attack of the Holocaust’s undue influence on American Jewish identity. The two would probably have had little to agree
Perhaps the greatest irony of classical music is that, while Jews have excelled in the genre as both composers and musicians, they have left very little notable music with an identifiable Jewish strain. Many have tried, to be sure—Leonard Bernstein and Steven Reich, to name two. But both those greats will be forever famous for their non-Jewish work.
Ethan Bronner, the Jerusalem bureau chief for The New York Times, is stepping down from his position.
Bronner, who has been in Jerusalem for the past four years, has been named legal affairs reporter for the newspaper's national desk. Jodi Rudoren, the Times' education editor, will succeed Bronner in the Jerusalem post in April.
The newspaper's public editor had recommended two years ago that Bronner be reassigned because his son was serving in the Israel Defense Forces, which was seen as a conflict of interest by a pro-Palestinian website.
Like many liberals, David Brooks is a conservative I can like. But every now and then he falls in with the wrong conservative crowd. And this week it was in his swooning endorsement of Charles Murray and his new book, “Coming Apart: The State of White America, 1960-2010.”