YU a cappella group atop Billboard charts, adored by media.
Just as the Maccabees continued the Chanukah wars long after the eight days of flames disappeared into a wisp of smoke, the story of the Maccabeats — an a capella group formed by Yeshiva University students — and their Chanukah video continues to dazzle even as the holiday fades.
From zoot suits to flagpole sitting, the university campus has always been a source of fads and fun that spread beyond the campus. As young people focus on their education they also look to affirm their youth and push the envelope of tomorrow.
Jews and Christians have very different rituals that mark the onset of winter, but they share the pleasures and stresses of the holiday season. In Laurence Holzman and Felicia Needleman’s revue, “That Time of the Year,” which opens this weekend at the White Plains Performing Arts Center, two dozen new songs illuminate various aspects of the winter festivals.
We all know that Jews can rock. After all, you only need to listen to Bob Dylan or Gene Simmons of Kiss to know that. But there are also some Jewish singers who are rocking Jewish music... and I don't mean Jon Fishman leading Phish in "Avinu Malkeinu."
The recent passing — just nine days apart — of Jerry Bock, 81, composer for “Fiddler On The Roof,” and Joseph Stein, 98, who wrote the musical’s book (based, of course, on Sholom Aleichem’s short stories), leads us — those old enough, anyway — to recall and honor the remarkable energizing impact that the show had on the Jewish community of 1964.
Jerry Seinfeld said the other week that his first visit to Broadway “was when my parents probably shlepped me to ‘Fiddler on the Roof.” So it was for a lot of us.
Adrienne Cooper performs new/old Yiddish songs at Drom.
Special To The Jewish
Jewish history is too unpredictable for folks to count out the Yiddish language just yet. After all, 200 years ago Hebrew was supposedly a dead language used only in Jewish worship. Could there be a real-life version of the mythical “Yiddishland?”
“I don’t think there’s going to be a secular Yiddish community in which people live everyday lives in Yiddish,” Adrienne Cooper reluctantly admits. “But among artists there’s no reason this material can’t be taken up as a means of creative communication.”
From Gershwin and Sondheim to Dylan, a song for everyone
Special To The Jewish Week
The New York Festival of Song seems at first glance a slight misnomer. “Festival” suggests a short, sharp blast of events in a concentrated period of time. But NYFOS, now in its 23rd year, schedules events all year ‘round.
Collection featuring black musicians singing Jewish songs masks a complicated cultural relationship.
In 1958, when Johnny Mathis was recording an album of African-American spirituals in homage to his black mother, he included a seemingly odd song: “Kol Nidre,” the centerpiece of the Yom Kippur service and perhaps the holiest of all Jewish prayers.
The concentration camp's chorus, whose Requiem will be performed at Kennedy Center, sang out their sorrows.
As a Nazi prisoner in the Terezin concentration camp, Edgar Krasa said he and other Jewish prisoners were forced to work all day and to survive on little food. What kept him and others going was the camp’s secret chorus.
“After work we went to a basement where we were encouraged to sing Czech songs we all knew,” recalled Krasa, who lives in the Boston suburb of Newton Center. “This was spiritually uplifting. And for those who [later] heard us sing in concerts, it reminded them of the life they had lived.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.