For the fifth straight year, Tel Aviv native Anat Cohen received the clarinetist of the year award from the Jazz Journalists Association.
The awards were presented here on Saturday.
Cohen’s latest CD, “Clarinetwork,” featured the music of legendary clarinetist Benny Goodman. It was recorded live at the Village Vanguard in 2009 during a weeklong centennial tribute to Goodman and included the A list rhythm section of Benny Green on piano, Peter Washington on bass and Lewis Nash on drums.
The spiky, avant-garde music of Chaya Czernowin comes to the Miller Theater.
Special To The Jewish Week
It takes a steely will and a ferocious intelligence to write serious avant-garde music. But it never hurts to combine those traits with personal charm and, above all, a sense of humor. In evidence, we offer Chaya Czernowin, the Israeli composer whose works are being showcased at the Miller Theater on April 15.
Czernowin, 53, has no illusions about audience response to her music.
WASHINGTON (JTA) -- The Rock and Roll Hall of Fame is set to induct Neil Diamond.
Diamond, 69, who launched his career as a songwriter in the 1960s in the Brill Building songwriting factory, penning hits for groups like The Monkees, will be inducted Monday night at a ceremony in New York.
He soon launched a solo career, and his rich baritone coupled with his lively onstage presence earned him the sobriquet "the Jewish Elvis," with hits like "Solitary Man" and "Cherry, Cherry."
Composer/professor/author Jack Gottlieb, past president of the American Society of Jewish Music, dies at 80.
Special To The Jewish Week
The name of Jack Gottlieb’s music company was Theophilous Music, Inc., and on his website, there is a legend that reads, “In Latin, Theophilous is ‘Amadeus.’ In German, it is ‘Gottlieb;’ and in English it is ...?” The answer, of course, is “lover of God,” which is an apt cognomen for a composer and musician whose work centered on the Jewish liturgy, directly and indirectly.
It was a momentous occasion for the Israel Philharmonic Orchestra’s annual Carnegie Hall concert on Feb. 22. It marked the orchestra’s 75th anniversary, conductor Zubin Mehta’s 75th birthday, and his 50th year as IPO conductor.
At the post-concert dinner at the Plaza Hotel, hosted by the American Friends of the Israel Philharmonic Orchestra, vice president and benefit co-chair Lauren Veronis couldn’t praise the maestro enough.
That’s right, Johnny Mathis. The third best-selling recording artist of all time, whose open-hearted, sultry voice animated our car rides to Lake Tahoe when I was 10, the eight-track cassette seemingly invented just so my sister and I could say, yet again, “Go back to ‘Chances Are’!”
Israeli Philharmonic to perform the young Israeli composer’s ‘Azerbaijani Dances’ here next week.
The Israel Philharmonic Orchestra will give the U.S. premiere of Israeli composer Avner Dorman’s “Azerbaijani Dance” at Carnegie Hall on Tuesday. But it will not be the first time the conductor, Zubin Mehta, one of the world’s most prominent maestros, collaborated with Dorman. In fact, Mehta essentially gave Dorman his start.
Playing celebrated composer’s ‘Tehillim’ is close encounter with a classic of modern music and Jewish culture.
‘Do it again! Kol han-sha ma ta-ha lail!” thundered Alan Pierson, conductor of the new music classical group Alarm Will Sound, at a rehearsal last week with the teenage ensemble Face the Music.
They were rehearsing Steve Reich’s seminal chorale piece, “Tehillim,” from 1981, which both ensembles performed together on Sunday at Merkin Concert Hall. Face the Music will continue to perform the piece throughout the city in upcoming weeks.
Don Kirschner, the rock music publisher and producer who became known as “The Man With the Golden Ear” for his knack as identifying and managing successful singing groups, died Jan. 17 of heart failure in Boca Raton. He was 76.