On the first day of WQXR Radio’s musical instrument drive in March to benefit the city’s public school children, a staff member took a microphone to the drop-off site at Lincoln Center to interview donors.
Hashem works in interesting ways. In the middle 1990s, I had a really good psychotherapist who went for another job and I was broken up about it. Mom had her own health issues and it also bothered her that I lost a therapist we really trusted. I was depressed and Mom wanted to cheer me up.
It was Chanukah time and she was out shopping at the Roosevelt Mall in Northeast Philadelphia and there was a Radio Shack that was having a grand opening sale. They were selling radios and Walkmans and knowing my love for music, she thought, “This will cheer Phyllis up.”
In a memoir about music and taking risks, Ari Goldman takes up the cello (again) — at a certain age.
As he was approaching his 60th birthday, the author and journalism professor Ari Goldman took up the cello, an instrument he had played on and off — mostly off, of late — for the last 35 years. He decided to adopt a regimen of regular practice, lessons and playing with a group, and set a personal goal — playing publicly for many friends at his 60th birthday party.
In her N.Y. debut, a Catalan singer and lutenist moves from Sephardic songs to John Donne.
Special To The Jewish Week
Clara Sanabras knows something about exile. The thirty-something Catalan singer was born in France, raised in Barcelona and for the past 20 years has lived in London. Her family history is so complicated that even she finds it a bit amusing. Her career path has had enough unlikely turns for an entire music festival.
The drummer known as Tommy Ramone passed away on Friday due to bile duct cancer. Though he was only 65, he was the last living original member of the Ramones, and instrumental in the creation of punk rock as a musical genre.
Tommy was born Erdélyi Tamás in Budapest to two Holocaust survivors; the couple had hidden with neighbors for the duration of the war. The Erdélyi family immigrated to the United States when Tamás was four.
It’s unusual for a composer to debut his first opera at the age of 82.
Then again, Harry Bialor is an unusual composer. His opera, “Masada,” is having its world premiere March 23 at the JCC of Staten Island (1466 Manor Rd. 718 475-5200) as part of a UJA-Federation of New York-funded Jewish Music Month program. The piece will be performed by Voyces and Young Voyces, two S.I.-based ensembles, conducted by Michael Sirotta and accompanied by pianist Mimi Stern-Wolfe.
When I was younger, I strived to emulate my two older brothers. I did so in many ways, but I particularly wanted to mimic their passion for playing an instrument. Others told me that I was too young and should wait a year or two to begin. Then Rebecca Teplow took one look at my fingers, after her piano lesson with my eldest brother, and told me that now was a perfect time to begin. I was thrilled.