Nothing quite gets the public going like a Spielberg movie. Even if you hate his movies (not that I do), it's hard to avoid the excitement they engender. Especially come Christmas. This year, Spielberg's big holiday release, you may have heard, is "The Adventures of Tintin," an animated 3D film about the legendary children's book. And this year, I'm predicting a minor controversy about it.
In ‘Girlfriend,’ a film directed by high school buddy Justin Lerner, Evan Sneider plays a character much like himself.
Three years ago, when Justin Lerner decided to give his friend, Evan Sneider, an actor with Down syndrome, a small role in his master’s thesis film, he did not know Sneider would eventually become critical to the launch of his own career.
Ma’aleh film school explores, embraces Orthodox-Zionist live
Many Jewish artists pride themselves on having empathy for the “the other,” even — especially – for Palestinians.
For example, “Miral,” a film released earlier this year, shows a Palestinian girl living under an Israeli occupation depicted as absolutely brutal. The director, Julian Schnabel, a Jew, was quoted as saying that he had “a personal Jewish responsibility” to make such a film, which was distributed by Harvey Weinstein, who’s Jewish, too.
Satisfying and poignant, ‘The Names of Love’ rises above the constraints of its genre.
Special To The Jewish Week
The original French title of the new comedy “The Names of Love,” which opens on June 24, was “Le Nom des Gens.” That loosely translates as “the name of people” and, for a film that is very much about the nature of identity and self-definition, it is a more apt title. On the other hand, since the film is a sweet-natured romantic comedy, maybe things are best left as they are.
It often seems that we’ve become emotionally numb to talk about Nazis and Hitler. We toss around the word “Nazi” with such impunity these days that the essential meaning of who Hitler was and what the Nazis represent appears entirely lost.
Some worry that ignorance and latent anti-Semitism lurks behind our lax standards, but many suggest otherwise: it’s Holocaust fatigue, they say, a culture saturated not with too little knowledge about Nazis, but rather, too much.