New multimedia encyclopedia embraces a golden age.
Emanuel Ringelblum knew Jewish Eastern Europe the way the Stage Manager in “Our Town” knew Grover’s Corners. The Tevye era was modern for Ringelblum, whose doctorate was on the Jews of Warsaw — only up to 1527.
A debate on who should get unclaimed Swiss bank funds.
Special To The Jewish Week
Even when it comes to restitution for the living, somebody has to speak for the dead. The dead cannot make monetary claims, yet they have the right to assert moral ones - on all of us.
Throughout these recent restitution initiatives, there has been a lot of acrimony about money, but very little focus on dignity, which is a hallmark of social justice. The precedent that the Swiss bank case creates, the impression it leaves, the memory it honors, in many respects is as important as the money it distributes.
A Passover seder on the Baltic is a rare chance for isolated Jews to celebrate together.
Gdansk, Poland – Marianna Grochola left her home at 11:30 a.m. last Monday for a 6:45 p.m. seder.
A widow and retired accountant, a child survivor of the Holocaust who grew up in communist Poland, Grochola took a bus to her railroad station in Slupsk, a small town 120 miles west of Gdansk. Then she took a slow train north, then walked a few miles from the main railroad station here to the city’s sole extant synagogue, the site of the first-night seder.
New Holocaust documentary
highlights the experiences of those
in lesser-known transports.
Special To The Jewish Week
Lukas Pribyl was looking for his grandfather. He knew the old man had been deported from Czechoslovakia in October 1939. He knew his grandfather had been taken to a camp whose name was all but forgotten, not one of the infamous extermination camps of Poland or the concentration camps for political prisoners like Dachau or Mauthausen. Just a small way station in the hell that was Nazi-occupied Eastern Europe, a siding to oblivion where his grandfather died.
Lubartovska Street circa 1937 was a vibrant and predominantly Jewish thoroughfare in the industrial city of Lublin, Poland. Men wearing top hats and well-coiffed women shared the cobblestone artery with horse-drawn carriages. Yiddish and Polish signage advertised kosher restaurants, hardware stores and lingerie boutiques.
Of the elite jazz musicians working in New York, pianist Bruce Barth is probably the only one who can claim a klezmer pedigree.
Barth, 46, who has emerged as one of his generation’s most compelling pianists and will share the stage Monday at Merkin Hall with the legendary Cedar Walton in a two-piano duet, developed an ear for klezmer in high school in Harrison, N.Y. It was then that his brother introduced him to a clique of New York bluegrass musicians, including mandolinist/clarinetist Andy Statman and banjoist Tony Trischka.