My colleague, James Besser, asked, on his blog , why Israel’s Ambassador Michael Oren (correctly described as “smart and sophisticated”) “continues to pick needless fights” with J Street, the so-called and cynically self-described “pro-peace process lobby” and political action committee (see a JTA story on Oren’s latest comments).
Jackie Mason’s newest show, “Prune Danish,” is — like its namesake — familiar, unsophisticated and ultimately satisfying. That is, of course, if Mason’s brand of pastry is what you’re after.
The New York Times’ reviewer Bruce Weber clearly had a hankering for something different. He panned “Prune Danish” — Mason’s sixth stand-up stint on Broadway — as “idiotically, hypocritically reactionary” and said the two-and-a-half hour-show served up only about 30 minutes of good material.
Museum Mile — the stretch of Fifth Avenue from 82nd Street to 104th — offers an intriguing paradox this fall. The Jewish Museum, at the corner of 92nd Street, is presenting a retrospective of works by a Jewish painter who eschewed Jewish imagery in his embrace of the universal. A few blocks south, the National Academy of Design exhibits the work of a painter who rejected Judaism, but uses explicitly Jewish symbols as expressions of spiritual transcendence.
New Jersey poet laureate Amiri Baraka says he will fight legislation aimed at removing him from the state-appointed position, telling The Jewish Week Tuesday he was prepared to take legal action if a bill being drafted this week in the state Senate passes. “I certainly will sue,” he said Tuesday by phone from his home in Newark.
Legal experts say the controversial poet could have a good case on free-speech grounds.
Speaking before several dozen people munching on babaganoush and taboule and chatting away in Arabic, Hebrew, Spanish and English, the Lebanese novelist Elias Khoury invoked the hallowed name of Al-Andalus.
"And if we do not find it, we can build it in our hearts," he said at the reception for a literary event last week in the Soho studio of Iraqi-born sculptor Oded Halahmy.
In an inspired piece of programming, two neglected comedies will be screened back-to-back this Saturday at the American Museum of the Moving Image.
Both “Bye Bye Braverman” and “The Plot Against Harry” capture an unusual slice of Jewish life in outer-borough New York in the late 1960s, yet are largely unknown, overshadowed by the comedy of Woody Allen and the urban dramas of Martin Scorcese.
A major German company cooperates with the Third Reich during World War II. Years later, it apologizes for its actions and makes reparation payments to Holocaust survivors. The firm is honored in the United States by the Jewish community.
Another major German company cooperates with the Third Reich. It also apologizes and makes reparation payments. In an attempt to strengthen its public image in the U.S., it bids to put its name on a prominent football stadium. The firm is heavily criticized here by the Jewish community.
Like the candidate, the audience was Orthodox and likely to be staunch in its defense of Israel. So Noach Dear lost no time in making his pitch explicit.
“We have how many shomer Shabbos politicians?” he asked the Sunday morning bagels-and-cream-cheese crowd gathered to hear him at the Young Israel of Far Rockaway last month, using the term for Sabbath observers. Touting his campaign to represent them in Congress, Dear urged, “This is a way to contribute to the community.”