In an inspired piece of programming, two neglected comedies will be screened back-to-back this Saturday at the American Museum of the Moving Image.
Both “Bye Bye Braverman” and “The Plot Against Harry” capture an unusual slice of Jewish life in outer-borough New York in the late 1960s, yet are largely unknown, overshadowed by the comedy of Woody Allen and the urban dramas of Martin Scorcese.
Jackie Mason’s newest show, “Prune Danish,” is — like its namesake — familiar, unsophisticated and ultimately satisfying. That is, of course, if Mason’s brand of pastry is what you’re after.
The New York Times’ reviewer Bruce Weber clearly had a hankering for something different. He panned “Prune Danish” — Mason’s sixth stand-up stint on Broadway — as “idiotically, hypocritically reactionary” and said the two-and-a-half hour-show served up only about 30 minutes of good material.
Museum Mile — the stretch of Fifth Avenue from 82nd Street to 104th — offers an intriguing paradox this fall. The Jewish Museum, at the corner of 92nd Street, is presenting a retrospective of works by a Jewish painter who eschewed Jewish imagery in his embrace of the universal. A few blocks south, the National Academy of Design exhibits the work of a painter who rejected Judaism, but uses explicitly Jewish symbols as expressions of spiritual transcendence.
New Jersey poet laureate Amiri Baraka says he will fight legislation aimed at removing him from the state-appointed position, telling The Jewish Week Tuesday he was prepared to take legal action if a bill being drafted this week in the state Senate passes. “I certainly will sue,” he said Tuesday by phone from his home in Newark.
Legal experts say the controversial poet could have a good case on free-speech grounds.
In the first scene of “Angels in America,” Tony Kushner’s 1993 Pulitzer Prize- and Tony Award-winning magnum opus, a rabbi appears on stage to eulogize an old Jewish woman he has never met. Standing on a bare stage with the coffin, he tells the assembled mourners that although the era of “Great Voyages” has passed, American Jews will still never quite be at home in America.
The aftermath of the Sago mine explosion captured my attention and rent my heart, the same as for millions of other Americans. It also drew me in as a journalist concerned with the history and future of social justice in this country.
The stories of the 12 miners killed in the disaster and those of their families are riveting enough, highlighting the human drama and consequences behind such a tragedy. But also riveting are the facts regarding the mine's many health and safety violations and how federal officials seemed to be missing in action.
A friend who works in a bookstore recounts that whenever Jewish parents or grandparents ask for help in selecting a book, they preface their request: “Oh, he’s 7, but he reads like a 12-year-old,” or “She’s beginning fifth grade but reads on a high-school level.” But despite their parents’ best intentions to get them reading the classics as soon as they can lift them, along with The New York Times, kids really do prefer picture books with great stories.
Washington Post article questions the legitimacy
of a prominent rabbi who claims he’s rescued
Two years ago, philanthropist David Rubenstein offered to buy a Torah scroll for Manhattan’s Central Synagogue. The story of the scroll was as impressive as the object itself: Rabbi Menachem Youlus, a Maryland Torah scribe and Jewish bookstore owner, said he had discovered the sefer Torah in a cemetery in Oswiecim, the Polish town the occupying Germans called Auschwitz.
The scroll was dedicated in a gala ceremony at Central Synagogue on Yom HaShoah 2008. On Rosh HaShanah that year, Rabbi Peter Rubinstein repeated the Torah’s story of survival.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.