At the height of their contest for Cezanne's mantle as the leader of the French avant-garde, Henri Matisse and Pablo Picasso agreed to swap pictures. Over the previous two years, Paris' leading provocateur Matisse had steadily ceded ground to the newcomer Picasso, until the fall of 1907, when the two men were deadlocked.
Vitaly Komar, clad in all black, huffed up the stairs of the Center for Jewish History with a reporter in tow. “I like this place,” said the one half of an internationally known Russian artist team. “It’s like a club house, not white and antiseptic like most museums that can feel like a hospital.”
In 1999, before the intifada deepened Israeli and Palestinian mutual distrust, Israeli artists Bosmat Alon and Tirtza Even visited the West Bank to shoot a video critical of Israeli policies to curtail Palestinian life.
Introduced by Israeli leftist activists to former political prisoners and ordinary families, Alon and Even spent months in the contested outskirts of Hebron and the cramped streets of the Deheishe camp near Bethlehem.
There were plenty of words last Sunday morning on East 92nd Street, but not the sort The Jewish Museum had hoped for when it planned a provocative exhibition of contemporary art meant to rekindle dialogue about Holocaust memory.
About 100 yeshiva students, politicians, Holocaust survivors and other community members, most of them from Brooklyn, directed chants of “Shame on You” and “Don’t go in” toward anyone who approached the museum’s front doors at the 10 a.m. opening of “Mirroring Evil: Nazi Imagery/Recent Art.”
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.