Documentary looks at the relationship between
the Berlin Philharmonic and the Third Reich.
Special To The Jewish Week
For most ordinary people, daily life under a repressive dictatorship would not present too many more problems than daily life in a democracy. Even for many in the arts, the difference would be minimal, even if the dictatorship was maximal. In a strange way, that seems to be the unintended message of Enrique Sanchez Lansch’s excellent new documentary, “The Reichsorchester: The Berlin Philharmonic and the Third Reich,” showing in the Museum of Modern Art’s annual “Kino!” series of new German films.
An Internet search for Istvan Szabo's films on the Reel.com Web database brings up the Hungarian director's Academy Award-winning "Mephisto" and the other installments in his 1980s trilogy about characters compromised by war. Like those films, "Colonel Redl" and "Hanussen," Szabo's newest release, "Taking Sides," returns to the battleground between conscience and collaboration.
Young Families, Singles Flocking to Upper East Side; ‘The Memory Is In Their Taste Buds’: The Lure of Sephardic Food; Safra Synagogue Rabbi’s Growing Empire; Sephardic And Egalitarian at B’nai Jeshurun; Giving Voice to Sephardic Music.